1 00:05:11,000 --> 00:05:16,000 SHHH! 2 00:06:40,000 --> 00:06:42,000 OK, FELLOWS, LISTEN UP. 3 00:06:42,000 --> 00:06:46,000 LET'S LISTEN UP! 4 00:06:46,000 --> 00:06:50,000 I DON'T UNDERSTAND YOUR ATTITUDE. 5 00:06:50,000 --> 00:06:52,000 I REALLY DON'T. 6 00:06:52,000 --> 00:06:56,000 OK, THINGS HAVEN'T EXACTLY BEEN EASY FOR US RECENTLY. 7 00:06:56,000 --> 00:06:58,000 HEY, I KNOW THAT, 8 00:06:58,000 --> 00:07:02,000 BUT LET'S REMEMBER ONE THING-- WEE A TEAM. 9 00:07:02,000 --> 00:07:04,000 I LOVE YOU GUYS. 10 00:07:04,000 --> 00:07:07,000 LET'S ALL WORK TOGETHER. 11 00:07:07,000 --> 00:07:09,000 TONIGHT'S MATCH COULD BE O BREAKTHROUGH. 12 00:07:09,000 --> 00:07:11,000 WHAT DO YOU SAY? 13 00:07:11,000 --> 00:07:14,000 GO FUCK YOURSELF. 14 00:07:14,000 --> 00:07:16,000 WHAT'S HAPPENED TO YOU? 15 00:07:16,000 --> 00:07:18,000 WHERE'S YOUR SENSE OF HUMOR? 16 00:07:18,000 --> 00:07:21,000 WE LOST IT THREE WEEKS AGO, 17 00:07:21,000 --> 00:07:24,000 THE LAST TIME WE GOT PAID. 18 00:07:24,000 --> 00:07:27,000 ■■ OUR LAST PROMOTER WAS MUGGED. 19 00:07:27,000 --> 00:07:29,000 HE WASN'T MUGGED, MAN. 20 00:07:29,000 --> 00:07:31,000 HE CONNED YOU. 21 00:07:31,000 --> 00:07:34,000 JACK McGIVER WILL BE HERE TONIGHT 22 00:07:34,000 --> 00:07:36,000 WITH THE MONEY. 23 00:07:36,000 --> 00:07:37,000 HE'D BETTER BE. 24 00:07:37,000 --> 00:07:40,000 LET'S HAVE A GOOD WORKOUT. 25 00:07:40,000 --> 00:07:43,000 YOU WOULDN'T KNOW A GOOD WORKOUT 26 00:07:43,000 --> 00:07:46,000 IF IT BIT YOU ONOUR ASS. 27 00:07:46,000 --> 00:07:48,000 WE NEED A REAL COACH! 28 00:07:48,000 --> 00:07:51,000 THAT'S WHAT I WANT TO SEE. 29 00:07:51,000 --> 00:07:53,000 GET OUT THERE! 30 00:07:53,000 --> 00:07:55,000 WHAT DO YOU SAY? 31 00:07:55,000 --> 00:07:57,000 LESS SMOKING, MORE SKATING, DIESEL. 32 00:07:57,000 --> 00:07:59,000 VERY ATTRACTIVE HABIT. 33 00:07:59,000 --> 00:08:01,000 COME ON, THAT'S RIGHT. 34 00:08:01,000 --> 00:08:03,000 COME ON, PEE WEE. 35 00:08:03,000 --> 00:08:08,000 GOOD HUSTLING. 36 00:08:12,000 --> 00:08:14,000 THIS YOUR TEAM? 37 00:08:14,000 --> 00:08:16,000 YEAH. PRETTY GOOD, HUH? 38 00:08:16,000 --> 00:08:19,000 WHERE ARE THEY PLAYING? 39 00:08:19,000 --> 00:08:21,000 THEY'RE PLAYING RIGHT HERE. 40 00:08:21,000 --> 00:08:23,000 NO. 41 00:08:23,000 --> 00:08:24,000 NO. 42 00:08:24,000 --> 00:08:27,000 NOT TONIGHT OR ANY OTHER NIGHT. 43 00:08:27,000 --> 00:08:28,000 WE'RE CLOSED. 44 00:08:28,000 --> 00:08:31,000 THIS PLACE GETS DEMOLISHED TOMORROW. 45 00:08:31,000 --> 00:08:33,000 I'M KICKING YOU OUT. 46 00:08:33,000 --> 00:08:35,000 JACK McGIVER SAID-- 47 00:08:35,000 --> 00:08:37,000 McGIVER? THAT CROOK? 48 00:08:37,000 --> 00:08:39,000 YOU BEEN HAD, BUDDY. 49 00:08:39,000 --> 00:08:43,000 NOW, GO ON. BEAT IT. 50 00:08:43,000 --> 00:08:45,000 GOOD WORK, PEE WEE! 51 00:08:45,000 --> 00:08:48,000 THAT'S WHAT I WANT TO SEE. 52 00:08:48,000 --> 00:08:49,000 GOOD ATTITUDE. 53 00:08:49,000 --> 00:08:52,000 OK! 54 00:08:52,000 --> 00:08:55,000 ALL RIGHT, GIRLS. KEEP IT UP. 55 00:08:55,000 --> 00:08:57,000 THAT'S THE WAY. 56 00:08:57,000 --> 00:08:59,000 THAT'S IT! STOP! 57 00:08:59,000 --> 00:09:01,000 GET OUT OF HERE! 58 00:09:01,000 --> 00:09:03,000 VACATE THE PREMISES. 59 00:09:03,000 --> 00:09:08,000 IT'S TIME TO LEAVE. 60 00:09:10,000 --> 00:09:14,000 OUT OF MY WAY! WHERE IS HE? 61 00:09:14,000 --> 00:09:19,000 RANGELOFF, WE'RE GOING TO KILL YOU! 62 00:09:19,000 --> 00:09:24,000 SON OF A BITCH! 63 00:09:25,000 --> 00:09:27,000 [HORNS HONK] 64 00:09:27,000 --> 00:09:32,000 COME ON! 65 00:09:43,000 --> 00:09:45,000 GOOD MORNING, MR. LATIMER. 66 00:09:45,000 --> 00:09:47,000 YOU'RE LATE. 67 00:09:47,000 --> 00:09:48,000 ENGINE TROUBLE. 68 00:09:48,000 --> 00:09:51,000 SORRY TO HEAR YOUR DAUGHTER'S MISSING. 69 00:09:51,000 --> 00:09:53,000 MISSING, HELL. KIDNAPED. 70 00:09:53,000 --> 00:09:56,000 WOULD YOU GIVE ME SOME DETAILS? 71 00:09:56,000 --> 00:09:59,000 CAN'T. GOT A BOARD MEETING. 72 00:09:59,000 --> 00:10:04,000 GET IT FROM THE FBI. 73 00:10:07,000 --> 00:10:12,000 HE DOESN'T KNOW HOW MUCH MONEY WAS IN THAT SAFE? 74 00:10:12,000 --> 00:10:15,000 NO ONE GETS THIS RICH 75 00:10:15,000 --> 00:10:17,000 WITHOUT KNOWING WHERE EVERY NICKEL IS. 76 00:10:17,000 --> 00:10:21,000 POLICE CHIEF NORRIS, DEPUTY DUNAWAY. 77 00:10:21,000 --> 00:10:22,000 ORMOND, FBI. 78 00:10:22,000 --> 00:10:24,000 WHAT DO YOU KNOW, CHIEF? 79 00:10:24,000 --> 00:10:26,000 NOTHING MUCH. YOU? 80 00:10:26,000 --> 00:10:28,000 I MEAN ABOUT THE CASE. 81 00:10:28,000 --> 00:10:30,000 HUH? 82 00:10:30,000 --> 00:10:32,000 I'LL FILL YOU IN. 83 00:10:32,000 --> 00:10:35,000 SOME TIME BETWEEN 11:00 LAST NIGHT 84 00:10:35,000 --> 00:10:37,000 AND 7:00 THIS MORNING, 85 00:10:37,000 --> 00:10:39,000 RANDALL LATIMER'S ONLY CHILD, 86 00:10:39,000 --> 00:10:41,000 28-YEAR-OLD GEORGIANA LATIMER, 87 00:10:41,000 --> 00:10:43,000 DISAPPEARED FROM THIS HOUSE 88 00:10:43,000 --> 00:10:46,000 WITH AN UNSPECIFIED AMOUNT OF MONEY, 89 00:10:46,000 --> 00:10:48,000 PRESUMABLY A LARGE AMOUNT, 90 00:10:48,000 --> 00:10:53,000 JUDGING BY THE SIZE OF THAT SAFE. 91 00:10:54,000 --> 00:10:56,000 HE TURNED THE CORNER! 92 00:10:56,000 --> 00:10:59,000 ♪ ROUND, ROUND, GET AROUND, I GET AROUND ♪ 93 00:10:59,000 --> 00:11:01,000 ♪ YEAH, GET AROUND, ROUND, ROUND ♪ 94 00:11:01,000 --> 00:11:02,000 ♪ I GET AROUND ♪ 95 00:11:02,000 --> 00:11:03,000 ♪ I GET AROUND ♪ 96 00:11:03,000 --> 00:11:05,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 97 00:11:05,000 --> 00:11:06,000 ♪ ALL OVER TOWN ♪ 98 00:11:06,000 --> 00:11:08,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 99 00:11:08,000 --> 00:11:10,000 ♪ I'M A REAL COOL HEAD ♪ 100 00:11:10,000 --> 00:11:12,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 101 00:11:12,000 --> 00:11:13,000 ♪ I'M MAKIN' REAL GOOD BREAD ♪ 102 00:11:13,000 --> 00:11:15,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 103 00:11:15,000 --> 00:11:17,000 ♪ I'M GETTIN' BUGGED ♪ 104 00:11:17,000 --> 00:11:19,000 ♪ DRIVIN' UP AND DOWN THE SAME OLD STRIP ♪ 105 00:11:19,000 --> 00:11:21,000 ♪ I GOTTA FIND A NEW PLACE ♪ 106 00:11:21,000 --> 00:11:26,000 ♪ WHERE THE GIRLS ARE HIP ♪ 107 00:11:26,000 --> 00:11:27,000 ♪ MY BUDDIES AND ME ♪ 108 00:11:27,000 --> 00:11:29,000 ♪ ARE GETTIN' REAL WELL KNOWN ♪ 109 00:11:29,000 --> 00:11:31,000 ♪ YEAH, THE BAD GUYS KNOW US ♪ 110 00:11:31,000 --> 00:11:32,000 ♪ AND THEY LEAVE US ALONE ♪ 111 00:11:32,000 --> 00:11:33,000 ♪ I GET AROUND ♪ 112 00:11:33,000 --> 00:11:35,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 113 00:11:35,000 --> 00:11:36,000 ♪ ALL OVER TOWN ♪ 114 00:11:36,000 --> 00:11:38,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 115 00:11:38,000 --> 00:11:39,000 ♪ I'M A REAL COOL HEAD ♪ 116 00:11:39,000 --> 00:11:41,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 117 00:11:41,000 --> 00:11:43,000 ♪ I'M MAKIN' REAL GOOD BREAD ♪ 118 00:11:43,000 --> 00:11:45,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 119 00:11:45,000 --> 00:11:46,000 ♪ I GET AROUND ♪ 120 00:11:46,000 --> 00:11:47,000 ♪ ROUND ♪ 121 00:11:47,000 --> 00:11:51,000 ♪ GET AROUND, ROUND, ROUND, ROUND ♪♪ 122 00:11:51,000 --> 00:11:56,000 WHICH WAY? 123 00:11:57,000 --> 00:12:02,000 HELLO. 124 00:12:02,000 --> 00:12:04,000 I'M THE DISTRICT SALES REPRESENTATIVE 125 00:12:04,000 --> 00:12:06,000 FOR GLIDE-AWAY SKATES. 126 00:12:06,000 --> 00:12:08,000 WE'RE TRYING TO DRAMATIZE-- 127 00:12:08,000 --> 00:12:10,000 ■■ OH, MY GOD. 128 00:12:10,000 --> 00:12:12,000 YOU HAVE A GUN! 129 00:12:12,000 --> 00:12:13,000 DON'T SHOOT. 130 00:12:13,000 --> 00:12:15,000 OK, THE TRUTH. 131 00:12:15,000 --> 00:12:19,000 FIVE WOMEN ON ROLLER SKATES ARE AFTER ME. 132 00:12:19,000 --> 00:12:21,000 FIVE WOMEN AFTER YOU? 133 00:12:21,000 --> 00:12:23,000 I SWEAR TO GOD. 134 00:12:23,000 --> 00:12:26,000 IT'S TOO CRAZY TO BE A LIE. 135 00:12:26,000 --> 00:12:28,000 FIVE? 136 00:12:28,000 --> 00:12:30,000 YOU MUST BE GOOD. 137 00:12:30,000 --> 00:12:32,000 RANGELOFF, YOU CREEP! 138 00:12:32,000 --> 00:12:36,000 COULD WE CONTINUE THIS CONVERSATION INSIDE? 139 00:12:36,000 --> 00:12:38,000 WHERE ARE YOU? 140 00:12:38,000 --> 00:12:40,000 YOU READ MY MIND. 141 00:12:40,000 --> 00:12:45,000 RANGELOFF, WE'LL GET YOU! 142 00:12:46,000 --> 00:12:49,000 MR. LATIMER SAYS SHE WAS KIDNAPED. 143 00:12:49,000 --> 00:12:51,000 WHOEVER HEARD OF KIDNAPERS 144 00:12:51,000 --> 00:12:53,000 TAKING THE RANSOM FIRST? 145 00:12:53,000 --> 00:12:55,000 THAT'S WHAT BOTHERS ME. 146 00:12:55,000 --> 00:12:57,000 DUNAWAY, ARE YOU LISTENING? 147 00:12:57,000 --> 00:13:02,000 TAKE SOME NOTES! 148 00:13:08,000 --> 00:13:10,000 I LIVE CLOSE BY. 149 00:13:10,000 --> 00:13:14,000 DO YOU MIND IF I GO HOME NOW? 150 00:13:14,000 --> 00:13:17,000 TAKE YOUR TIME. WE'LL BE HERE. 151 00:13:17,000 --> 00:13:21,000 GOOD DEAL. 152 00:13:21,000 --> 00:13:26,000 COME ON! 153 00:13:38,000 --> 00:13:42,000 ■ I DON'T BELIEVE THIS. 154 00:13:42,000 --> 00:13:43,000 ■■ OH. 155 00:13:43,000 --> 00:13:46,000 OHH! 156 00:13:46,000 --> 00:13:51,000 DIDN'T KNOW I COULD HOLD MY BREATH THAT LONG, 157 00:13:51,000 --> 00:13:52,000 DID YOU? 158 00:13:52,000 --> 00:13:53,000 NO. 159 00:13:53,000 --> 00:13:56,000 I CAN HOLD IT LONGER. 160 00:13:56,000 --> 00:14:00,000 IF YOU DON'T BELIEVE ME, ASK MY HUSBAND. 161 00:14:00,000 --> 00:14:03,000 YOUR HUSBAND? WHAT'S HE DO? 162 00:14:03,000 --> 00:14:05,000 HE'S CHIEF OF POLICE. 163 00:14:05,000 --> 00:14:09,000 OH! 164 00:14:09,000 --> 00:14:10,000 DON'T WORRY. 165 00:14:10,000 --> 00:14:15,000 HE NEVER COMES HOME TILL DARK. 166 00:14:36,000 --> 00:14:37,000 ESTELLE! 167 00:14:37,000 --> 00:14:39,000 OH, DEAR. 168 00:14:39,000 --> 00:14:40,000 IT'S HIM. 169 00:14:40,000 --> 00:14:41,000 HIM? 170 00:14:41,000 --> 00:14:43,000 M, WHO? 171 00:14:43,000 --> 00:14:44,000 MY HUSBAND. 172 00:14:44,000 --> 00:14:47,000 YOUR HUSBAND? 173 00:14:47,000 --> 00:14:50,000 ESTELLE! 174 00:14:50,000 --> 00:14:54,000 SHE'S AT IT AGAIN. 175 00:14:54,000 --> 00:14:56,000 YOU STAY HERE. 176 00:14:56,000 --> 00:14:59,000 ESTELLE! 177 00:14:59,000 --> 00:15:03,000 ESTELLE! 178 00:15:03,000 --> 00:15:08,000 [CRASH] 179 00:15:16,000 --> 00:15:19,000 WHOSE SKATE IS THIS? 180 00:15:19,000 --> 00:15:21,000 THE PLUMBER'S. 181 00:15:21,000 --> 00:15:22,000 THE PLUMBER'S SON. 182 00:15:22,000 --> 00:15:25,000 THE TUB DRAIN WAS STOPPED UP, 183 00:15:25,000 --> 00:15:29,000 AND HE SKATED OVER TO FIX IT. 184 00:15:29,000 --> 00:15:32,000 YOU EXPECT ME TO BELIEVE THAT? 185 00:15:32,000 --> 00:15:34,000 THERE YOU GO, MA'AM. 186 00:15:34,000 --> 00:15:36,000 I DON'T THINK YOU'LL HAVE 187 00:15:36,000 --> 00:15:40,000 ANY MORE PROBLEMS WITH THAT DRAIN. 188 00:15:40,000 --> 00:15:45,000 NOW, CHIEF, UH... 189 00:15:45,000 --> 00:15:48,000 YOU LOOK LIKE YOU'VE HAD A ROUGH DAY. 190 00:15:48,000 --> 00:15:51,000 DON'THINK THAT FRONTAL NUDITY, SEEMING PROXIMITY 191 00:15:51,000 --> 00:15:53,000 CONSTITUTE EVIDENCE-- 192 00:15:53,000 --> 00:15:54,000 BEND OVER. 193 00:15:54,000 --> 00:15:56,000 SORRY? 194 00:15:56,000 --> 00:15:58,000 TURN AROUND AND BEND OVER. 195 00:15:58,000 --> 00:15:59,000 FINE. 196 00:15:59,000 --> 00:16:03,000 THAT'S FINE. 197 00:16:03,000 --> 00:16:04,000 [CLICK] 198 00:16:04,000 --> 00:16:05,000 ONE FALSE MOVE, 199 00:16:05,000 --> 00:16:08,000 AND YOU'LL GET A .38 ENEMA. 200 00:16:08,000 --> 00:16:11,000 THAT'S FINE, TOO. 201 00:16:11,000 --> 00:16:13,000 THAT'S GOOD WORK, FEENY. 202 00:16:13,000 --> 00:16:16,000 OVER AND OUT. 203 00:16:16,000 --> 00:16:19,000 YOU LOOK LIKE YOU'RE HAVING FUN. 204 00:16:19,000 --> 00:16:22,000 FINALLY GOT A MAKE ON YOU, RANGELOFF. 205 00:16:22,000 --> 00:16:25,000 HOW? I'VE NEVER BEEN ARRESTED. 206 00:16:25,000 --> 00:16:27,000 YOU LIVED WITH A GUY 207 00:16:27,000 --> 00:16:31,000 WITH A MILE-LONG RECORD WITH BUNKO-- 208 00:16:31,000 --> 00:16:35,000 ROBERT STURDEVENT, ALIAS BOB STURDY, ALIAS STU ROBINSON. 209 00:16:35,000 --> 00:16:37,000 HOW ABOUT CENTURY MILESTONE? 210 00:16:37,000 --> 00:16:39,000 CENTURY? I DON'T KNOW HIM. 211 00:16:39,000 --> 00:16:41,000 YEAH, I BET. 212 00:16:41,000 --> 00:16:44,000 PUT YOUR CLOTHES BACK ON. 213 00:16:44,000 --> 00:16:49,000 HOW? 214 00:16:52,000 --> 00:16:56,000 I KNOW MY RIGHTS. YOU CAN'T DO THAT. 215 00:16:56,000 --> 00:17:01,000 AFTER WHAT YOU DONE, I CAN DO ANYTHING. 216 00:17:03,000 --> 00:17:07,000 "KEEP YOUR NOSE CLEAN-- CENTURY." 217 00:17:07,000 --> 00:17:12,000 GIVE ME THAT. 218 00:17:19,000 --> 00:17:22,000 OOH! OW! 219 00:17:22,000 --> 00:17:24,000 HEY. YOU ALL RIGHT? 220 00:17:24,000 --> 00:17:26,000 COME HERE. 221 00:17:26,000 --> 00:17:28,000 COME HERE. 222 00:17:28,000 --> 00:17:33,000 LET ME SEE WHAT THIS IS. 223 00:17:33,000 --> 00:17:36,000 I DON'T THINK IT'S GOING TO BE FATAL. 224 00:17:36,000 --> 00:17:38,000 YOU BETTER STOP CRYING. 225 00:17:38,000 --> 00:17:42,000 HEY, MISS, TAKE OUR PICTURE, PLEASE? 226 00:17:42,000 --> 00:17:44,000 GET YOUR PICTURE TOOK. 227 00:17:44,000 --> 00:17:46,000 HOW'S THAT, HUH? 228 00:17:46,000 --> 00:17:47,000 OK, LET'S GO. 229 00:17:47,000 --> 00:17:52,000 [CLICK] 230 00:17:52,000 --> 00:17:55,000 NEXT TIME YOU REACH FOR ANYTHING, 231 00:17:55,000 --> 00:17:57,000 I'LL PISTOL-WHIP YOU. 232 00:17:57,000 --> 00:17:59,000 NOW GET DRESSED. 233 00:17:59,000 --> 00:18:02,000 TRY DOWN HERE ONE MORE TIME. 234 00:18:02,000 --> 00:18:04,000 I'M TIRED. 235 00:18:04,000 --> 00:18:05,000 SHUT UP, PEE WEE. 236 00:18:05,000 --> 00:18:07,000 CHIEF, LOOK AT THAT. 237 00:18:07,000 --> 00:18:12,000 LOOK OUT! 238 00:18:13,000 --> 00:18:15,000 SORRY. 239 00:18:15,000 --> 00:18:17,000 COME ON. LET'S STOP HIM. 240 00:18:17,000 --> 00:18:19,000 DUNAWAY! 241 00:18:19,000 --> 00:18:23,000 WHERE DID THAT GUY COME FROM? 242 00:18:23,000 --> 00:18:26,000 HEY, YOU! GET OUT OF MY WAY! 243 00:18:26,000 --> 00:18:28,000 THAT'S ALL WE NEED-- 244 00:18:28,000 --> 00:18:31,000 GET HIT BY A POLICE CAR. 245 00:18:31,000 --> 00:18:33,000 WHAT'S THIS COFFIN CRAP? 246 00:18:33,000 --> 00:18:38,000 LET'S PUT THE MONEY IN A SUITCASE AND GO T.W.A. 247 00:18:38,000 --> 00:18:40,000 YOUR PICTURE'S EVERYWHERE. 248 00:18:40,000 --> 00:18:42,000 WIDOWS AREN'T ASKED QUESTIONS. 249 00:18:42,000 --> 00:18:45,000 WE'RE SAFE ONCE WE'RE ON THE TRAIN. 250 00:18:45,000 --> 00:18:47,000 ♪ ROUND, ROUND, GET AROUND ♪ 251 00:18:47,000 --> 00:18:48,000 ♪ I GET AROUND ♪ 252 00:18:48,000 --> 00:18:50,000 ♪ YEAH, GET AROUND, ROUND, ROUND ♪ 253 00:18:50,000 --> 00:18:52,000 ♪ I GET AROUND ♪ 254 00:18:52,000 --> 00:18:53,000 ♪ I GET AROUND ♪ 255 00:18:53,000 --> 00:18:54,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 256 00:18:54,000 --> 00:18:56,000 ♪ ALL OVER TOWN ♪ 257 00:18:56,000 --> 00:18:58,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 258 00:18:58,000 --> 00:18:59,000 ♪ I'M A REAL COOL HEAD ♪ 259 00:18:59,000 --> 00:19:00,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 260 00:19:00,000 --> 00:19:02,000 ♪ I'M MAKIN' REAL GOOD BREAD ♪ 261 00:19:02,000 --> 00:19:04,000 ♪ GET AROUND, ROUND, ROUND, I GET AROUND ♪ 262 00:19:04,000 --> 00:19:06,000 ♪ I'M GETTIN' BUGGED ♪ 263 00:19:06,000 --> 00:19:08,000 ♪ DRIVIN' UP AND DOWN THE SAME OLD STRIP ♪♪ 264 00:19:08,000 --> 00:19:13,000 WHAT WILL THIS GET ME IN A 39 REGULAR? 265 00:19:15,000 --> 00:19:18,000 GET SOME OF THOSE FLAGS DOWN HERE. 266 00:19:18,000 --> 00:19:20,000 WHERE ARE WE FORMING UP? 267 00:19:20,000 --> 00:19:23,000 THAT'S NEW YORK CITY, SIR. 268 00:19:23,000 --> 00:19:28,000 GIVE ME THE FLAGS, WILL YOU? 269 00:19:28,000 --> 00:19:30,000 GET INSIDE. 270 00:19:30,000 --> 00:19:34,000 THERE YOU GO. 271 00:19:34,000 --> 00:19:36,000 ISN'T THE HAT TOO SMALL? 272 00:19:36,000 --> 00:19:39,000 GET A HAIRCUT. WELL, DEAL? 273 00:19:39,000 --> 00:19:43,000 THAT DEPENDS ON HOW MUCH CASH YOU'LL GIVE ME, 274 00:19:43,000 --> 00:19:45,000 PLUS THE CLOTHES. 275 00:19:45,000 --> 00:19:46,000 WHO SAID CASH? 276 00:19:46,000 --> 00:19:48,000 THAT'S AN EXPENSIVE WATCH. 277 00:19:48,000 --> 00:19:52,000 LEAVE THE CLOTHES AND WEAR THE WATCH. 278 00:19:52,000 --> 00:19:54,000 TAKE IT OR LEAVE IT. 279 00:19:54,000 --> 00:19:58,000 I'LL TAKE IT. 280 00:19:58,000 --> 00:20:00,000 DUNAWAY, HE JUST DIDN'T DISAPPEAR. 281 00:20:00,000 --> 00:20:03,000 HE'S GOT TO BE HERE. 282 00:20:03,000 --> 00:20:05,000 HE'S AROUND HERE SOMEWHERE. 283 00:20:05,000 --> 00:20:08,000 CAN'T YOU MAKE THIS THING GO FASTER? 284 00:20:08,000 --> 00:20:13,000 I SAID YOU BE HOME AT 3:00! 285 00:20:38,000 --> 00:20:42,000 WANT TO BUY A BOOK ABOUT GEORGE HARRISON? 286 00:20:42,000 --> 00:20:44,000 I DON'T LIKE THE BEATLES. 287 00:20:44,000 --> 00:20:48,000 THEY CAN'T HAVE A PARADE WITHOUT FLAGS. 288 00:20:48,000 --> 00:20:53,000 WATCH IT! 289 00:20:55,000 --> 00:21:00,000 I'LL GO LOOK FOR THAT FLAG DETAIL. 290 00:21:00,000 --> 00:21:04,000 ■■ COME ON. WE DON'T GOT ALL DAY. 291 00:21:04,000 --> 00:21:08,000 I DON'T BELIEVE THE WAY YOU WIN. 292 00:21:08,000 --> 00:21:10,000 I DON'T BELIEVE IT. 293 00:21:10,000 --> 00:21:13,000 CARE FOR A LITTLE FLUTTER, SARGE? 294 00:21:13,000 --> 00:21:18,000 AH, NO. CARRY ON. 295 00:21:19,000 --> 00:21:21,000 JESUS! 296 00:21:21,000 --> 00:21:26,000 LOOK OUT! MPs! 297 00:21:46,000 --> 00:21:50,000 HOLD IT, SERGEANT. 298 00:21:50,000 --> 00:21:54,000 IS THAT FLAG YOURS? 299 00:21:54,000 --> 00:21:59,000 YEAH. 300 00:22:12,000 --> 00:22:17,000 DON'T RUN, JUST DON'T RUN. 301 00:22:22,000 --> 00:22:23,000 STOP! 302 00:22:23,000 --> 00:22:27,000 THERE'S FIVE BUCKS FOR YOU IF YOU STOP. 303 00:22:27,000 --> 00:22:32,000 YES, SIR! 304 00:22:38,000 --> 00:22:43,000 HEE-YAA! 305 00:22:45,000 --> 00:22:47,000 I'LL ASK THE OFFICE 306 00:22:47,000 --> 00:22:52,000 TO KEEP A LOOK OUT FOR HER. 307 00:22:55,000 --> 00:23:00,000 [RADIO] ♪ SING OF HAPPY, NOT SAD ♪ 308 00:23:02,000 --> 00:23:04,000 ♪ SING ♪ 309 00:23:04,000 --> 00:23:08,000 ♪ SING A SONG ♪ 310 00:23:08,000 --> 00:23:09,000 ♪ MAKE IT SIMPLE... ♪♪ 311 00:23:09,000 --> 00:23:11,000 OK, I'M MOVING. 312 00:23:11,000 --> 00:23:14,000 THERE'S A SOLDIER ON PLATFORM 3 313 00:23:14,000 --> 00:23:17,000 BESIDE A FLAG-DRAPED COFFIN. 314 00:23:17,000 --> 00:23:20,000 TAKE THIS TO HIM. I'LL PAY YOU. 315 00:23:20,000 --> 00:23:24,000 ALL RIGHT. YOU'RE FLYING TO RENO. 316 00:23:24,000 --> 00:23:26,000 I'M STAYING WITH THE MONEY. 317 00:23:26,000 --> 00:23:29,000 I'LL TAKE CARE OF SOLDIER BOY. 318 00:23:29,000 --> 00:23:32,000 I CAN'T GO TO THE AIRPORT. 319 00:23:32,000 --> 00:23:34,000 THERE ARE COPS THERE. 320 00:23:34,000 --> 00:23:37,000 AIRPORT? IT'S AN EMPTY LOT. 321 00:23:37,000 --> 00:23:40,000 THE PILOT OWES ME A FAVOR. 322 00:23:40,000 --> 00:23:42,000 HURRY UP THERE, BOYS. 323 00:23:42,000 --> 00:23:44,000 WHERE DID THE WIDOW GO? 324 00:23:44,000 --> 00:23:45,000 WHO? 325 00:23:45,000 --> 00:23:48,000 OH, NEVER MIND. 326 00:23:48,000 --> 00:23:49,000 HERE. 327 00:23:49,000 --> 00:23:51,000 WHAT'S THIS? 328 00:23:51,000 --> 00:23:54,000 FROM THE LADY IN BLACK. 329 00:23:54,000 --> 00:23:58,000 NO REPLY REQUESTED. 330 00:23:58,000 --> 00:23:59,000 BOARD! 331 00:23:59,000 --> 00:24:04,000 HELLO, SIR. 332 00:24:37,000 --> 00:24:40,000 ■ I REMEMBER THE OLD PRESIDENTS 333 00:24:40,000 --> 00:24:42,000 BETTER THAN THE NEW ONES-- 334 00:24:42,000 --> 00:24:45,000 GARFIELD, McKINLEY, ROOSEVELT-- 335 00:24:45,000 --> 00:24:49,000 I'M NOT MUCH AFTER 1933. 336 00:24:49,000 --> 00:24:53,000 TRY ME BEFORE THAT, AND I'M DEAD ON. 337 00:24:53,000 --> 00:24:55,000 THERE WAS TAFT, McKINLEY, 338 00:24:55,000 --> 00:24:57,000 HERBERT HOOPER-- UH, HOOSIER. 339 00:24:57,000 --> 00:24:59,000 WHATEVER IT WAS. 340 00:24:59,000 --> 00:25:02,000 WOULD YOU MIND IF I JUST WENT-- 341 00:25:02,000 --> 00:25:04,000 I REMEMBER WHEN AMRAIL 342 00:25:04,000 --> 00:25:06,000 TOOK OVER THE RAILROADS. 343 00:25:06,000 --> 00:25:09,000 THEY TRIED TO GIVE ME THE BOOT. 344 00:25:09,000 --> 00:25:11,000 I WAS OVER 65. 345 00:25:11,000 --> 00:25:13,000 I WROTE THE PRESIDENT. 346 00:25:13,000 --> 00:25:15,000 OF THE RAILROAD? 347 00:25:15,000 --> 00:25:16,000 UNITED STATES. 348 00:25:16,000 --> 00:25:19,000 THE RAILROAD PRESIDENT IS DEAD. 349 00:25:19,000 --> 00:25:21,000 BUT HE HAD PROMISED ME 350 00:25:21,000 --> 00:25:25,000 I COULD STAY ON UNTIL I DROPPED. 351 00:25:25,000 --> 00:25:28,000 SO I SAYS, "MR. NICKERSON--" 352 00:25:28,000 --> 00:25:29,000 NIXON? 353 00:25:29,000 --> 00:25:31,000 NIXON, THAT'S HIS NAME. 354 00:25:31,000 --> 00:25:33,000 I SAYS TO HIM, 355 00:25:33,000 --> 00:25:36,000 "A PROMISE IS A PROMISE." 356 00:25:36,000 --> 00:25:40,000 WHEN I GOT HIS LETTER OF COMMENDATION, 357 00:25:40,000 --> 00:25:42,000 NOBODY DARED FIRE ME. 358 00:25:42,000 --> 00:25:44,000 NIXON GAVE YOU A COMMENDATION? 359 00:25:44,000 --> 00:25:45,000 HAD TO. 360 00:25:45,000 --> 00:25:47,000 WHY? 361 00:25:47,000 --> 00:25:51,000 I SENT A XEROXED COPY OF MY LETTER 362 00:25:51,000 --> 00:25:54,000 TO WALTER CRONKITE. 363 00:25:54,000 --> 00:25:59,000 THAT WAR YOU WAS IN, THAT WAS IN CHINA? 364 00:25:59,000 --> 00:26:01,000 CLOSE ENOUGH. 365 00:26:01,000 --> 00:26:02,000 WHO WON? 366 00:26:02,000 --> 00:26:04,000 NOBODY. 367 00:26:04,000 --> 00:26:06,000 YOUR BUDDY IN THAT BOX, 368 00:26:06,000 --> 00:26:10,000 WHAT WAS HIS NAME? 369 00:26:10,000 --> 00:26:11,000 BIDDLECOFF. 370 00:26:11,000 --> 00:26:14,000 CORPORAL LANE BIDDLECOFF. 371 00:26:14,000 --> 00:26:17,000 WHERE DOES HE LIVE? 372 00:26:17,000 --> 00:26:19,000 HIGH RIVER, NEBRASKA. 373 00:26:19,000 --> 00:26:21,000 WE DON'T STOP THERE. 374 00:26:21,000 --> 00:26:23,000 THAT'S TOO BAD. 375 00:26:23,000 --> 00:26:27,000 I'LL GO TO THE STOP BEYOND HIGH RIVER. 376 00:26:27,000 --> 00:26:31,000 THE COFFIN TAG SAYS NEW YORK CITY. 377 00:26:31,000 --> 00:26:32,000 CLOSE ENOUGH. 378 00:26:32,000 --> 00:26:34,000 [WHISTLE BLOWS] 379 00:26:34,000 --> 00:26:36,000 COMING INTO RENO. 380 00:26:36,000 --> 00:26:38,000 WOULD YOU EXCUSE ME? 381 00:26:38,000 --> 00:26:39,000 YEAH. 382 00:26:39,000 --> 00:26:44,000 I GOT WORK TO DO. 383 00:26:48,000 --> 00:26:51,000 YOU'RE GOING THE WRONG WAY 384 00:26:51,000 --> 00:26:53,000 FOR THE DINING CAR. 385 00:26:53,000 --> 00:26:56,000 I'LL SHOW YOU THE WAY. 386 00:26:56,000 --> 00:27:01,000 SHIT. 387 00:27:02,000 --> 00:27:04,000 YOUR ATTENTION, PLEASE. 388 00:27:04,000 --> 00:27:06,000 NOW ARRIVING ON TRACK 7, 389 00:27:06,000 --> 00:27:08,000 THE AMRAIL STREAMLINER, 390 00:27:08,000 --> 00:27:10,000 SAN DIEGO FROM OAKLAND. 391 00:27:10,000 --> 00:27:15,000 PASSENGERS WILL DEPART THROUGH GATE 3. 392 00:27:24,000 --> 00:27:25,000 BOBBY! 393 00:27:25,000 --> 00:27:30,000 OH, YOU... 394 00:27:39,000 --> 00:27:42,000 [CLUNK] 395 00:27:42,000 --> 00:27:47,000 [TELEVISION] I ASKED HIM WHY HE WAS IN MY TUB. 396 00:27:47,000 --> 00:27:50,000 HE SAID HE WAS THE PLUMBER'S SON. 397 00:27:50,000 --> 00:27:52,000 AND YOU BELIEVED HIM? 398 00:27:52,000 --> 00:27:55,000 OF COURSE NOT. HE WAS...UNDRESSED. 399 00:27:55,000 --> 00:27:58,000 AND HE FORCED YOU TO UNDRESS? 400 00:27:58,000 --> 00:28:01,000 THAT WAS AN UNFOUNDED RUMOR 401 00:28:01,000 --> 00:28:06,000 CIRCULATED BY MY EX-DEPUTY... 402 00:28:13,000 --> 00:28:15,000 WHERE THE HELL YOU BEEN? 403 00:28:15,000 --> 00:28:18,000 YOUR PILOT LANDED TWICE FOR DIRECTIONS. 404 00:28:18,000 --> 00:28:21,000 WEREN'T YOU GETTING RID OF HIM? 405 00:28:21,000 --> 00:28:24,000 I AM. 406 00:28:24,000 --> 00:28:26,000 THESE BOOTS SURE HURT. 407 00:28:26,000 --> 00:28:29,000 YOU AIN'T USED TO WEARING THEM THINGS, 408 00:28:29,000 --> 00:28:31,000 NOW ARE YOU? 409 00:28:31,000 --> 00:28:33,000 I'LL SAY IT ONCE. 410 00:28:33,000 --> 00:28:36,000 GET ON THAT TRAIN, YOU'RE DEAD. 411 00:28:36,000 --> 00:28:37,000 WHAT? 412 00:28:37,000 --> 00:28:40,000 DEAD. 413 00:28:40,000 --> 00:28:42,000 [TELEVISION] VICE PRESIDENT AGNEW 414 00:28:42,000 --> 00:28:44,000 TOOK THE OFFENSIVE YESTERDAY 415 00:28:44,000 --> 00:28:47,000 AGAINST REPORTS THAT HE TOOK KICKBACKS 416 00:28:47,000 --> 00:28:49,000 FROM GOVERNMENT CONTRACTORS, 417 00:28:49,000 --> 00:28:51,000 DENOUNCING THE CHARGES AS LIES. 418 00:28:51,000 --> 00:28:53,000 WHAT'S HE DOING? 419 00:28:53,000 --> 00:28:55,000 PROBABLY CALLING HIS MOTHER 420 00:28:55,000 --> 00:28:58,000 TO SAY HE'S CATCHING A LATER TRAIN. 421 00:28:58,000 --> 00:29:00,000 IT'S MICHAEL. 422 00:29:00,000 --> 00:29:02,000 IS CENTURY THERE? 423 00:29:02,000 --> 00:29:04,000 WHERE IS HE? 424 00:29:04,000 --> 00:29:06,000 DON'T GIVE ME THE NUMBER. 425 00:29:06,000 --> 00:29:09,000 I'LL TELL YOU WHERE I AM. 426 00:29:09,000 --> 00:29:12,000 JUST SHUT UP AND LISTEN. 427 00:29:12,000 --> 00:29:13,000 BOARD! 428 00:29:13,000 --> 00:29:17,000 AS A COUNTERMOVE TO THE WATERGATE HEARINGS, 429 00:29:17,000 --> 00:29:20,000 H.R. HALDEMAN, WHITE HOUSE CHIEF OF STAFF, 430 00:29:20,000 --> 00:29:25,000 PROPOSED LEAKING A STORY THAT GEORGE McGOVERN... 431 00:29:25,000 --> 00:29:27,000 SURE SCARED HIM OFF. 432 00:29:27,000 --> 00:29:29,000 ...FATHERED AN ILLEGITIMATE CHILD. 433 00:29:29,000 --> 00:29:34,000 SON OF A BITCH! 434 00:29:38,000 --> 00:29:40,000 FBI. 435 00:29:40,000 --> 00:29:42,000 HOW DO YOU KNOW? 436 00:29:42,000 --> 00:29:47,000 HIS SHOES. 437 00:29:47,000 --> 00:29:49,000 DON'T BOARD HERE. IT'S RISKY. 438 00:29:49,000 --> 00:29:50,000 WHAT ABOUT YOU? 439 00:29:50,000 --> 00:29:52,000 I'M NOT LATIMER'S DAUGHTER. 440 00:29:52,000 --> 00:29:56,000 THE PILOT WILL FLY YOU TO OGDEN. 441 00:29:56,000 --> 00:29:57,000 ONCE YOU'RE THERE, 442 00:29:57,000 --> 00:30:01,000 THE MONEY WILL BE IN A BAG. 443 00:30:01,000 --> 00:30:04,000 SOLDIER BOY WILL BE IN A COFFIN. 444 00:30:04,000 --> 00:30:07,000 HOPE MY INFORMERS HELPED. 445 00:30:07,000 --> 00:30:12,000 MY SUSPECT SHOULD BE ON THIS TRAIN. 446 00:30:25,000 --> 00:30:27,000 CAN I HELP YOU? 447 00:30:27,000 --> 00:30:29,000 I'M A CRIPPLE, RIGHT? 448 00:30:29,000 --> 00:30:30,000 WELL, I-- 449 00:30:30,000 --> 00:30:33,000 SERGEANT STUD TO THE RESCUE. 450 00:30:33,000 --> 00:30:35,000 I JUST WANTED TO-- 451 00:30:35,000 --> 00:30:37,000 TO SHOW ME YOUR MUSCLES. 452 00:30:37,000 --> 00:30:39,000 IT'S SUPER FAG. 453 00:30:39,000 --> 00:30:41,000 FORGET IT. 454 00:30:41,000 --> 00:30:43,000 NO, NO, NO, GO AHEAD. 455 00:30:43,000 --> 00:30:46,000 HELP ME. 456 00:30:46,000 --> 00:30:51,000 IT'S ABOUT TIME FOR SOME BASTARD TO RUIN MY LIFE. 457 00:30:51,000 --> 00:30:55,000 WHY SHOULDN'T IT BE YOU? 458 00:30:55,000 --> 00:30:58,000 OH, SIT, SIT. 459 00:30:58,000 --> 00:31:03,000 I'M A MASOCHIST. 460 00:31:03,000 --> 00:31:05,000 IF YOU'RE NOT A FAG, 461 00:31:05,000 --> 00:31:10,000 WHY WAS HE HOLDING YOUR ARM? 462 00:31:10,000 --> 00:31:12,000 DON'T EVEN KNOW HIM. 463 00:31:12,000 --> 00:31:15,000 WHY IS HE STARING AT US THEN? 464 00:31:15,000 --> 00:31:20,000 EVERYONE'S STARING AT US. 465 00:31:22,000 --> 00:31:24,000 YOU WANT TO STARE? 466 00:31:24,000 --> 00:31:27,000 YOU WANT TO STARE AT ME? 467 00:31:27,000 --> 00:31:32,000 I'LL GIVE YOU SOMETHING TO STARE AT. 468 00:31:32,000 --> 00:31:37,000 TA-DA! 469 00:31:37,000 --> 00:31:42,000 PEOPLE. 470 00:31:44,000 --> 00:31:46,000 YOU'RE LOOKING FOR CIGARETTES, RIGHT? 471 00:31:46,000 --> 00:31:48,000 YOU WON'T FIND ANY, 472 00:31:48,000 --> 00:31:52,000 AND YOU'LL TRY TO BUM ONE FROM ME. 473 00:31:52,000 --> 00:31:55,000 YOU CAN'T TREAT ME LIKE SHIT 474 00:31:55,000 --> 00:31:58,000 AND THEN MOOCH A CIGARETTE. 475 00:31:58,000 --> 00:31:59,000 I DON'T SMOKE. 476 00:31:59,000 --> 00:32:01,000 [GARGLES] 477 00:32:01,000 --> 00:32:03,000 I HAVE AN IDEA. 478 00:32:03,000 --> 00:32:07,000 LET'S TRY TO HAVE A NORMAL CONVERSATION. 479 00:32:07,000 --> 00:32:09,000 IT'S A LONG TRAIN RIDE. 480 00:32:09,000 --> 00:32:12,000 IF I'M SO FUCKING BORING, 481 00:32:12,000 --> 00:32:15,000 WHY DON'T YOU CATCH A PLANE? 482 00:32:15,000 --> 00:32:19,000 MY BUDDY'S LYING IN A BAGGAGE CAR. 483 00:32:19,000 --> 00:32:21,000 YOUR BUDDY? WOO, WOO! 484 00:32:21,000 --> 00:32:23,000 HE'S A FAGGOT, TOO, RIGHT? 485 00:32:23,000 --> 00:32:25,000 WHAT'S HE DOING THERE, 486 00:32:25,000 --> 00:32:27,000 WAITING FOR THE CONDUCTOR 487 00:32:27,000 --> 00:32:29,000 TO PUNCH HIS TICKET? 488 00:32:29,000 --> 00:32:34,000 HE'S IN A CASKET. CAMBODIA. LAND MINE. 489 00:32:36,000 --> 00:32:41,000 I'M BRINGING HIM HOME. 490 00:32:42,000 --> 00:32:43,000 YOU PRICK. 491 00:32:43,000 --> 00:32:47,000 NOW I FEEL LIKE A PIECE OF SHIT. 492 00:32:47,000 --> 00:32:50,000 YOU DID IT ON PURPOSE, 493 00:32:50,000 --> 00:32:53,000 JUST LIKE RORY USED TO DO. 494 00:32:53,000 --> 00:32:55,000 I'M SORRY, REALLY. 495 00:32:55,000 --> 00:32:57,000 I KNOW MY FAULTS. 496 00:32:57,000 --> 00:33:01,000 RORY REMINDED ME OF THEM FOR TWO YEARS. 497 00:33:01,000 --> 00:33:03,000 SO WHY DID I MARRY HIM? 498 00:33:03,000 --> 00:33:05,000 I'M AN ACTRESS. 499 00:33:05,000 --> 00:33:07,000 ACTRESSES SHOULD STAY VULNERABLE. 500 00:33:07,000 --> 00:33:09,000 RORY'S AN ACTOR, TOO? 501 00:33:09,000 --> 00:33:10,000 MALE MODEL. 502 00:33:10,000 --> 00:33:13,000 PACO RABANNE SHOULD HAVE TOLD ME. 503 00:33:13,000 --> 00:33:15,000 WHO'S HE? 504 00:33:15,000 --> 00:33:16,000 IT'S A COLOGNE. 505 00:33:16,000 --> 00:33:19,000 HE HAD A GALLON OF IT. 506 00:33:19,000 --> 00:33:21,000 DEAD GIVEAWAY, 507 00:33:21,000 --> 00:33:24,000 THAT AND THE OPEN-MESH JOCKEY SHORTS. 508 00:33:24,000 --> 00:33:28,000 WHAT'S YOUR NAME? 509 00:33:28,000 --> 00:33:30,000 DON'T LAUGH. 510 00:33:30,000 --> 00:33:34,000 STANDISH LOGAN. 511 00:33:34,000 --> 00:33:36,000 I LIKE IT. 512 00:33:36,000 --> 00:33:38,000 OH, BULLSHIT. 513 00:33:38,000 --> 00:33:41,000 BUT IT'S A GOOD NAME PROFESSIONALLY. 514 00:33:41,000 --> 00:33:42,000 IT'S ARRESTING. 515 00:33:42,000 --> 00:33:45,000 YOU ACT ON STAGE OR MOVIES? 516 00:33:45,000 --> 00:33:47,000 STRICTLY THE BOOB TUBE. 517 00:33:47,000 --> 00:33:50,000 I DID A MOD SQUAD LAST YEAR. 518 00:33:50,000 --> 00:33:53,000 NOBODY SAW IT. FUCKING PLAY-OFFS. 519 00:33:53,000 --> 00:33:56,000 MY AGENT SAID HE SAW IT, 520 00:33:56,000 --> 00:33:58,000 BUT HE'S FULL OF SHIT. 521 00:33:58,000 --> 00:34:00,000 HOLLYWOOD. 522 00:34:00,000 --> 00:34:02,000 WHAT'S YOUR NAME? 523 00:34:02,000 --> 00:34:04,000 MICHAEL RANGELOFF. 524 00:34:04,000 --> 00:34:08,000 I LIKE THE FIRST NAME. 525 00:34:08,000 --> 00:34:13,000 THE SECOND ONE... 526 00:34:13,000 --> 00:34:16,000 ARE YOU HUNGRY? NEITHER AM I. 527 00:34:16,000 --> 00:34:18,000 SOME WOMEN GORGE THEMSELVES 528 00:34:18,000 --> 00:34:20,000 WHEN THEY GET DIVORCED. 529 00:34:20,000 --> 00:34:22,000 I COULDN'T. 530 00:34:22,000 --> 00:34:25,000 WHAT HE DID MAKES ME THROW UP. 531 00:34:25,000 --> 00:34:28,000 TAKE ME TO THE BAGGAGE CAR 532 00:34:28,000 --> 00:34:30,000 TO SEE YOUR FRIEND. 533 00:34:30,000 --> 00:34:32,000 IT'S JUST A SEALED CASKET 534 00:34:32,000 --> 00:34:34,000 WITH A FLAG OVER IT. 535 00:34:34,000 --> 00:34:37,000 I'D LIKE TO SEE IT. 536 00:34:37,000 --> 00:34:38,000 WHY? 537 00:34:38,000 --> 00:34:40,000 IF I KNEW WHY, 538 00:34:40,000 --> 00:34:42,000 I'D CHANGE MY MIND. 539 00:34:42,000 --> 00:34:44,000 PLEASE? 540 00:34:44,000 --> 00:34:49,000 OK. 541 00:34:50,000 --> 00:34:55,000 TICKETS! 542 00:34:57,000 --> 00:35:00,000 OH, HOWDY. 543 00:35:00,000 --> 00:35:04,000 TICKETS. 544 00:35:04,000 --> 00:35:06,000 THIS IS FOR A ROOMETTE. 545 00:35:06,000 --> 00:35:11,000 I'LL SHOW YOU WHERE IT IS. 546 00:35:21,000 --> 00:35:26,000 STANDISH, PLEASE DON'T CRY. 547 00:35:26,000 --> 00:35:29,000 LOOK, I GOT SOMETHING TO SAY-- 548 00:35:29,000 --> 00:35:31,000 SON OF A BITCH. 549 00:35:31,000 --> 00:35:33,000 WHO, ME? 550 00:35:33,000 --> 00:35:36,000 YOU HAD TO BE TELLING THE TRUTH. 551 00:35:36,000 --> 00:35:38,000 HE'S HERE, ALL RIGHT. 552 00:35:38,000 --> 00:35:41,000 I WAS HOPING YOU WERE LYING, 553 00:35:41,000 --> 00:35:43,000 THAT THERE WASN'T ANY COFFIN. 554 00:35:43,000 --> 00:35:45,000 ARE YOU A HERO, TOO? 555 00:35:45,000 --> 00:35:46,000 NO. 556 00:35:46,000 --> 00:35:48,000 JESUS, MICHAEL. 557 00:35:48,000 --> 00:35:50,000 OH, DON'T... 558 00:35:50,000 --> 00:35:51,000 I'M SORRY. 559 00:35:51,000 --> 00:35:55,000 I'VE JUST NEVER KNOWN ANYBODY LIKE YOU. 560 00:35:55,000 --> 00:35:58,000 ALL THE GUYS I KNOW ARE JERKS, 561 00:35:58,000 --> 00:36:03,000 LIKE RORY AND MY LOUSY MANAGER. 562 00:36:03,000 --> 00:36:05,000 OH, COME ON. 563 00:36:05,000 --> 00:36:09,000 HE TRIED TO TAKE 50% OF MY UNEMPLOYMENT. 564 00:36:09,000 --> 00:36:10,000 COME HERE. 565 00:36:10,000 --> 00:36:14,000 HOLLYWOOD'S RUINING MY LIFE. 566 00:36:14,000 --> 00:36:15,000 SORRY. 567 00:36:15,000 --> 00:36:20,000 OK, OK, IT'S ALL RIGHT. 568 00:36:44,000 --> 00:36:47,000 TOOTHPASTE. 569 00:36:47,000 --> 00:36:50,000 WHEN AMRAIL TOOK OVER THE RAILROADS, 570 00:36:50,000 --> 00:36:52,000 THEY TRIED TO BOOT ME. 571 00:36:52,000 --> 00:36:55,000 WILL YOU PUNCH THAT TICKET? 572 00:36:55,000 --> 00:37:00,000 I DECIDED TO WRITE THE PRESIDENT. 573 00:37:02,000 --> 00:37:07,000 WE'RE TALKING HISTORY HERE. 574 00:37:07,000 --> 00:37:10,000 YOU OK NOW? 575 00:37:10,000 --> 00:37:13,000 HEY, HEY. COME ON. 576 00:37:13,000 --> 00:37:15,000 YEAH, I'M FINE. 577 00:37:15,000 --> 00:37:17,000 YOU SURE? 578 00:37:17,000 --> 00:37:20,000 I GOT YOUR FLAG ALL WET. 579 00:37:20,000 --> 00:37:23,000 IF IT'S RUINED, SEND ME THE BILL. 580 00:37:23,000 --> 00:37:25,000 WHERE TO? 581 00:37:25,000 --> 00:37:29,000 THE ALAN SCHNEDECKER MEMORIAL RECUPERATION HOSPITAL, IN DENVER. 582 00:37:29,000 --> 00:37:33,000 THAT'S WHERE I'M GOING TO HAVE MY BREAKDOWN. 583 00:37:33,000 --> 00:37:36,000 YOU'RE GOING TO HAVE A BREAKDOWN? 584 00:37:36,000 --> 00:37:37,000 HAVING. 585 00:37:37,000 --> 00:37:39,000 HADN'T YOU NOTICED? 586 00:37:39,000 --> 00:37:40,000 NO. 587 00:37:40,000 --> 00:37:43,000 I'M GOING TO REGRET THIS. 588 00:37:43,000 --> 00:37:45,000 I THOUGHT I TOLD YOU 589 00:37:45,000 --> 00:37:48,000 TO STAY OFF THIS TRAIN. 590 00:37:48,000 --> 00:37:49,000 WHO ARE YOU? 591 00:37:49,000 --> 00:37:53,000 IF THAT CARGO'S BEEN TOUCHED, IT'S YOUR ASS. 592 00:37:53,000 --> 00:37:55,000 WHAT ABOUT HIS ASS? 593 00:37:55,000 --> 00:37:57,000 BUTTON IT, BIMBO. 594 00:37:57,000 --> 00:38:00,000 WHO ARE YOU CALLING A BIMBO? 595 00:38:00,000 --> 00:38:02,000 GET OUT OF HERE. 596 00:38:02,000 --> 00:38:04,000 YOU'RE MINE. 597 00:38:04,000 --> 00:38:06,000 IF HE'S ANYBODY'S, HE'S MINE. 598 00:38:06,000 --> 00:38:09,000 GO CRUISE THE MEN'S ROOM. 599 00:38:09,000 --> 00:38:10,000 YEAH. 600 00:38:10,000 --> 00:38:13,000 WHAT WERE YOU GOING TO TELL ME? 601 00:38:13,000 --> 00:38:18,000 FORGET IT, BIMBO. 602 00:38:32,000 --> 00:38:36,000 SO I SAYS TO HIM, "PRESIDENT NICKERSON--" 603 00:38:36,000 --> 00:38:37,000 NIXON. 604 00:38:37,000 --> 00:38:38,000 THAT'S IT. 605 00:38:38,000 --> 00:38:40,000 MR. STAPLETON-- 606 00:38:40,000 --> 00:38:41,000 WHO'S THAT? 607 00:38:41,000 --> 00:38:42,000 YOU. 608 00:38:42,000 --> 00:38:45,000 I'M GOING TO TALK TO THE PASSENGERS. 609 00:38:45,000 --> 00:38:50,000 I'LL GO WITH YOU. 610 00:39:03,000 --> 00:39:05,000 ALL RIGHT, GET UP. 611 00:39:05,000 --> 00:39:07,000 COME WITH ME. 612 00:39:07,000 --> 00:39:09,000 WHERE WE GOING? 613 00:39:09,000 --> 00:39:12,000 MY ROOMETTE, BOTH OF YOU. 614 00:39:12,000 --> 00:39:14,000 FUCK OFF, FAGGOT. 615 00:39:14,000 --> 00:39:18,000 THIS WON'T WAIT. 616 00:39:18,000 --> 00:39:20,000 YOU DEGENERATE. 617 00:39:20,000 --> 00:39:24,000 THERE HE IS. 618 00:39:24,000 --> 00:39:26,000 WHAT ELSE CAN HAPPEN? 619 00:39:26,000 --> 00:39:29,000 GET YOUR FEET OFF THAT SEAT. 620 00:39:29,000 --> 00:39:32,000 HOW LOVELY TO SEE YOU AGAIN! 621 00:39:32,000 --> 00:39:34,000 I HAD TO ASK. 622 00:39:34,000 --> 00:39:37,000 I GOT IT. I'M IN SHANGRI-LA. 623 00:39:37,000 --> 00:39:39,000 WHAT'S YOUR NAME, SOLDIER? 624 00:39:39,000 --> 00:39:41,000 FREDERICK J. KIRK. 625 00:39:41,000 --> 00:39:43,000 YOU SAID HE WAS RANGELOFF. 626 00:39:43,000 --> 00:39:45,000 LANE BIDDLECOFF. 627 00:39:45,000 --> 00:39:46,000 THAT'S YOUR NAME? 628 00:39:46,000 --> 00:39:48,000 HIS BUDDY IN THE BOX. 629 00:39:48,000 --> 00:39:50,000 IS KAFKA WRITING THIS? 630 00:39:50,000 --> 00:39:52,000 MR. STAPLETON'S CONFUSED. 631 00:39:52,000 --> 00:39:55,000 YOU GOT ON AT OAKLAND? 632 00:39:55,000 --> 00:39:58,000 YOU'RE ASKING A LOT OF QUESTIONS. 633 00:39:58,000 --> 00:40:01,000 I'VE GOT A LICENSE. ORMOND, FBI. 634 00:40:01,000 --> 00:40:02,000 KNOW THIS WOMAN? 635 00:40:02,000 --> 00:40:03,000 NO. 636 00:40:03,000 --> 00:40:06,000 YOU'RE NOT LOOKING AT THE PHOTO. 637 00:40:06,000 --> 00:40:09,000 WE SPENT 30 MINUTES TOGETHER. 638 00:40:09,000 --> 00:40:10,000 WHERE? 639 00:40:10,000 --> 00:40:11,000 IN HER BATHTUB. 640 00:40:11,000 --> 00:40:12,000 WHAT? 641 00:40:12,000 --> 00:40:14,000 IN HER BATHTUB! 642 00:40:14,000 --> 00:40:16,000 EVER WORK FOR HER FATHER? 643 00:40:16,000 --> 00:40:19,000 FATHER? WASN'T HE HER HUSBAND, 644 00:40:19,000 --> 00:40:21,000 THE CHIEF OF POLICE? 645 00:40:21,000 --> 00:40:23,000 LATIMER IS CHIEF OF POLICE? 646 00:40:23,000 --> 00:40:25,000 WHO'S LATIMER? 647 00:40:25,000 --> 00:40:27,000 I DON'T KNOW HER. 648 00:40:27,000 --> 00:40:29,000 WHAT'S YOUR DESTINATION, SERGEANT? 649 00:40:29,000 --> 00:40:34,000 NEW YORK. 650 00:40:35,000 --> 00:40:37,000 WHO'S KAFKA? 651 00:40:37,000 --> 00:40:39,000 MAYBE HER FIRST NAME. 652 00:40:39,000 --> 00:40:42,000 KAFKA, A FIRST NAME? 653 00:40:42,000 --> 00:40:44,000 WHO ARE YOU? 654 00:40:44,000 --> 00:40:45,000 STANDISH. 655 00:40:45,000 --> 00:40:47,000 NO, I'M STANDISH. 656 00:40:47,000 --> 00:40:51,000 YOU TOLD ME YOUR NAME WAS MICHAEL RANGELOFF. 657 00:40:51,000 --> 00:40:54,000 YOU SURE YOU WANT TO GET INVOLVED? 658 00:40:54,000 --> 00:40:57,000 INVOLVED? WHERE HAVE YOU BEEN? 659 00:40:57,000 --> 00:40:59,000 ALL RIGHT, ALL RIGHT. 660 00:40:59,000 --> 00:41:01,000 YOU'LL BUY ME A DRINK, 661 00:41:01,000 --> 00:41:04,000 I'LL TELL YOU EVERYTHING. 662 00:41:04,000 --> 00:41:06,000 INCLUDING THE BATHTUB? 663 00:41:06,000 --> 00:41:11,000 EVEN THE BATHTUB. 664 00:41:14,000 --> 00:41:17,000 SO YOUR NAME IS RANGELOFF. 665 00:41:17,000 --> 00:41:19,000 AND, AND, AND, AND... 666 00:41:19,000 --> 00:41:21,000 YOU LIVED IN AN ORPHANAGE 667 00:41:21,000 --> 00:41:23,000 UNTIL YOU WERE 16? 668 00:41:23,000 --> 00:41:26,000 EXCEPT FOR SOME FOSTER HOMES, 669 00:41:26,000 --> 00:41:28,000 BUT I ALWAYS CAME BACK. 670 00:41:28,000 --> 00:41:31,000 I'M ALLERGIC TO CHILD ABUSE. 671 00:41:31,000 --> 00:41:34,000 THEN YOU WERE ADOPTED BY CENTURY? 672 00:41:34,000 --> 00:41:35,000 NOT ADOPTED. 673 00:41:35,000 --> 00:41:38,000 HE WAS RAISED IN THE ORPHANGE, TOO. 674 00:41:38,000 --> 00:41:41,000 HE WOULD VISIT ME THERE. 675 00:41:41,000 --> 00:41:43,000 WHAT DOES HE DO? 676 00:41:43,000 --> 00:41:45,000 HE'S A CON MAN. 677 00:41:45,000 --> 00:41:46,000 A CROOK? 678 00:41:46,000 --> 00:41:48,000 NO, NO, NO. 679 00:41:48,000 --> 00:41:51,000 WHEN A CROOK ROBS YOU, YOU KNOW IT. 680 00:41:51,000 --> 00:41:55,000 PEOPLE TAKEN BY CENTURY DON'T KNOW IT. 681 00:41:55,000 --> 00:41:58,000 HE TAUGHT ME A FEW THINGS, 682 00:41:58,000 --> 00:42:00,000 LIKE KNOCKING THIS COIN 683 00:42:00,000 --> 00:42:03,000 THROUGH THE BAR USING THIS GLASS. 684 00:42:03,000 --> 00:42:05,000 HE TRIED TO TRAIN ME, 685 00:42:05,000 --> 00:42:08,000 BUT I DIDN'T HAVE THE TALENT. 686 00:42:08,000 --> 00:42:10,000 WHAT DO YOU DO? 687 00:42:10,000 --> 00:42:12,000 WELL, YOU NAME IT. 688 00:42:12,000 --> 00:42:16,000 THIS WEEK, I MANAGE A ROLLER DERBY TEAM. 689 00:42:16,000 --> 00:42:18,000 LAST WEEK, I UNLOADED CARGO. 690 00:42:18,000 --> 00:42:20,000 CARGO! HE SAID CARGO! 691 00:42:20,000 --> 00:42:22,000 WHERE ARE YOU GOING? 692 00:42:22,000 --> 00:42:24,000 BAGGAGE CAR. 693 00:42:24,000 --> 00:42:26,000 I GET OFF IN OGDEN. 694 00:42:26,000 --> 00:42:30,000 LET'S GET IT ON BEFORE I GET OFF. 695 00:42:30,000 --> 00:42:32,000 THE SHERMAN TANK APPROACH. 696 00:42:32,000 --> 00:42:35,000 MAY I ASK A PERSONAL QUESTION? 697 00:42:35,000 --> 00:42:37,000 THE PERSONALER, THE BETTER. 698 00:42:37,000 --> 00:42:40,000 DO YOU HAVE THE CLAP? 699 00:42:40,000 --> 00:42:41,000 NO. 700 00:42:41,000 --> 00:42:46,000 I DO. 701 00:43:42,000 --> 00:43:43,000 OH, MY GOD! 702 00:43:43,000 --> 00:43:45,000 THE COFFIN! 703 00:43:45,000 --> 00:43:50,000 IT'S HER! 704 00:43:50,000 --> 00:43:55,000 WHEW! 705 00:44:36,000 --> 00:44:40,000 I GUESS I WAS NEXT. 706 00:44:40,000 --> 00:44:45,000 GET OUT OF HERE! 707 00:44:47,000 --> 00:44:50,000 OH! 708 00:44:50,000 --> 00:44:55,000 SOME GUYS JUST CAN'T TAKE A HINT. 709 00:44:59,000 --> 00:45:00,000 MR. STAPLETON, 710 00:45:00,000 --> 00:45:04,000 CAN I GET CLOSER TO THAT SINK? 711 00:45:04,000 --> 00:45:08,000 I KNOW I WAS BORN WHEN THEY SHOT LINCOLN. 712 00:45:08,000 --> 00:45:10,000 OR WAS IT McKINLEY? 713 00:45:10,000 --> 00:45:12,000 MIGHT HAVE BEEN McKINLEY. 714 00:45:12,000 --> 00:45:16,000 I KNOW WHERE GEORGIANA LATIMER IS. 715 00:45:16,000 --> 00:45:17,000 WHERE? 716 00:45:17,000 --> 00:45:20,000 IN THE COFFIN. HE KILLED HER. 717 00:45:20,000 --> 00:45:22,000 CORPORAL BIDDLECOFF'S IN THE COFFIN. 718 00:45:22,000 --> 00:45:24,000 HOW DO YOU KNOW? 719 00:45:24,000 --> 00:45:26,000 THEY TOLD ME. 720 00:45:26,000 --> 00:45:28,000 WHO KILLED HER? 721 00:45:28,000 --> 00:45:29,000 MICHAEL RANGELOFF, 722 00:45:29,000 --> 00:45:32,000 THE PERVERT I'VE BEEN SITTING WITH. 723 00:45:32,000 --> 00:45:34,000 YOU MEAN SERGEANT KIRK? 724 00:45:34,000 --> 00:45:37,000 WHO KNOWS HIS REAL NAME? 725 00:45:37,000 --> 00:45:38,000 PRESIDENT GARFIELD! 726 00:45:38,000 --> 00:45:42,000 I WAS ALIVE WHEN THEY SHOT HIM. 727 00:45:42,000 --> 00:45:44,000 I'VE GOT IT. 728 00:45:44,000 --> 00:45:46,000 HE STOLE CORPORAL BIDDLECOFF'S UNIFORM. 729 00:45:46,000 --> 00:45:48,000 THEN HE DITCHED HIM. 730 00:45:48,000 --> 00:45:52,000 THEN HE PUT HER IN THE COFFIN. 731 00:45:52,000 --> 00:45:54,000 THEY'RE BOTH IN THERE! 732 00:45:54,000 --> 00:45:59,000 DO SOMETHING! 733 00:46:06,000 --> 00:46:08,000 THE TRAIN'S SLOWING DOWN. 734 00:46:08,000 --> 00:46:10,000 WE'RE COMING INTO OGDEN. 735 00:46:10,000 --> 00:46:12,000 HE'LL GET AWAY! 736 00:46:12,000 --> 00:46:14,000 YOU WON'T LET HIM. 737 00:46:14,000 --> 00:46:16,000 ME? 738 00:46:16,000 --> 00:46:18,000 YOU'LL RETURN TO YOUR SEAT 739 00:46:18,000 --> 00:46:20,000 AND BEHAVE NORMALLY. 740 00:46:20,000 --> 00:46:23,000 I'M IN THE MIDDLE OF A NERVOUS BREAKDOWN. 741 00:46:23,000 --> 00:46:25,000 YOU CAN DO IT. 742 00:46:25,000 --> 00:46:28,000 I COULD SHIT. 743 00:46:28,000 --> 00:46:29,000 ALL RIGHT. 744 00:46:29,000 --> 00:46:32,000 IN CASE HE TRIES TO BOLT, 745 00:46:32,000 --> 00:46:35,000 I'LL COVER THE TRAIN STATION. 746 00:46:35,000 --> 00:46:36,000 LET'S GO. 747 00:46:36,000 --> 00:46:41,000 THAT GIRL'S GOT A NASTY MOUTH. 748 00:46:48,000 --> 00:46:51,000 LINE UP RIGHT THERE AND BE QUIET. 749 00:46:51,000 --> 00:46:54,000 HAVE A FLOWER FOR YOUR BEREAVEMENT. 750 00:46:54,000 --> 00:46:59,000 OK, DON'T. 751 00:47:00,000 --> 00:47:02,000 WHERE HAVE YOU BEEN? 752 00:47:02,000 --> 00:47:04,000 IN THE MEN'S ROOM. 753 00:47:04,000 --> 00:47:07,000 I HAVE SOMETHING TO TELL YOU. 754 00:47:07,000 --> 00:47:11,000 I THINK I'M IN TROUBLE. 755 00:47:11,000 --> 00:47:13,000 YOU THINK YOU'RE IN TROUBLE. 756 00:47:13,000 --> 00:47:14,000 WHAT'S WRONG? 757 00:47:14,000 --> 00:47:16,000 WHAT'S WRONG? 758 00:47:16,000 --> 00:47:18,000 STOP REPEATING ME AND LISTEN. 759 00:47:18,000 --> 00:47:20,000 I OPENED THAT COFFIN-- 760 00:47:20,000 --> 00:47:23,000 I DON'T WANT TO HEAR IT. 761 00:47:23,000 --> 00:47:24,000 [WHISTLING] 762 00:47:24,000 --> 00:47:29,000 DON'T TOUCH ME! 763 00:47:29,000 --> 00:47:31,000 OH, MY GOD! 764 00:47:31,000 --> 00:47:34,000 OW! 765 00:47:34,000 --> 00:47:35,000 GEORGIE! 766 00:47:35,000 --> 00:47:39,000 FBI ON BOARD. MEET ME IN NEW YORK. 767 00:47:39,000 --> 00:47:41,000 WHAT ABOUT THE SOLDIER? 768 00:47:41,000 --> 00:47:43,000 TODAY. 769 00:47:43,000 --> 00:47:45,000 YOU BASTARD! WHAT'S GOING ON? 770 00:47:45,000 --> 00:47:49,000 FBI! 771 00:47:49,000 --> 00:47:53,000 TRAIN LEAVING ON TRACK 26. 772 00:47:53,000 --> 00:47:55,000 WHAT HAVE I DONE? 773 00:47:55,000 --> 00:47:56,000 MICHAEL? 774 00:47:56,000 --> 00:47:59,000 YOU'LL BE SO MAD AT ME. 775 00:47:59,000 --> 00:48:02,000 WHAT DID YOU DO, STANDISH? 776 00:48:02,000 --> 00:48:04,000 ALL ABOARD, PLEASE, LAST CALL. 777 00:48:04,000 --> 00:48:06,000 ALL ABOARD, ALL ABOARD. 778 00:48:06,000 --> 00:48:09,000 HE DIDN'T TRY TO GET OFF. 779 00:48:09,000 --> 00:48:10,000 WHO? 780 00:48:10,000 --> 00:48:12,000 SERGEANT KIRK. LET'S GO. 781 00:48:12,000 --> 00:48:13,000 RIGHT. 782 00:48:13,000 --> 00:48:18,000 BOARD! 783 00:48:18,000 --> 00:48:21,000 LET'S GO TALK TO HIM. 784 00:48:21,000 --> 00:48:26,000 WHO? 785 00:48:26,000 --> 00:48:28,000 YOU DID WHAT? 786 00:48:28,000 --> 00:48:30,000 I TOLD THE FBI 787 00:48:30,000 --> 00:48:32,000 YOU MURDERED GEORGIANA LATIMER 788 00:48:32,000 --> 00:48:34,000 AND HER BODY'S IN THE COFFIN. 789 00:48:34,000 --> 00:48:39,000 GIVE ME A PENCIL. 790 00:48:46,000 --> 00:48:48,000 WHAT DID YOU DO? 791 00:48:48,000 --> 00:48:51,000 SHE'S OK. THESE FITS NEVER LAST. 792 00:48:51,000 --> 00:48:52,000 FITS? 793 00:48:52,000 --> 00:48:54,000 SHE CAN HEAR YOU. 794 00:48:54,000 --> 00:48:56,000 WHAT IS YOUR NAME? 795 00:48:56,000 --> 00:48:59,000 SERGEANT FREDERICK KIRK, SPECIAL GRAVES DETAIL. 796 00:48:59,000 --> 00:49:01,000 YOU CAN'T LAY THERE. 797 00:49:01,000 --> 00:49:04,000 YOU SHOULD RENT A ROOMETTE. 798 00:49:04,000 --> 00:49:05,000 SHE TOLD ME-- 799 00:49:05,000 --> 00:49:07,000 SHE'S JACKIE ONASSIS? 800 00:49:07,000 --> 00:49:09,000 SHE'S NOT RESPONSIBLE. 801 00:49:09,000 --> 00:49:11,000 EASY, MRS. BIDDLECOFF. 802 00:49:11,000 --> 00:49:14,000 MRS. BIDDLECOFF? THE WIFE...WIDOW OF-- 803 00:49:14,000 --> 00:49:16,000 SHE NEVER MENTIONED THAT. 804 00:49:16,000 --> 00:49:19,000 YOU DISCUSSED HIM WITH HER? 805 00:49:19,000 --> 00:49:20,000 I'M NOT SURE. 806 00:49:20,000 --> 00:49:22,000 BECAUSE YOU'RE NOT SURE, 807 00:49:22,000 --> 00:49:25,000 SHE'S HAD THREE PENCILS IN FIVE MINUTES. 808 00:49:25,000 --> 00:49:27,000 WHAT CAN I DO? 809 00:49:27,000 --> 00:49:30,000 GET OUT AND LEAVE US ALONE. 810 00:49:30,000 --> 00:49:32,000 SINCE YOU'RE LAYING THERE, 811 00:49:32,000 --> 00:49:36,000 I'LL GET A PILLOW. 812 00:49:36,000 --> 00:49:39,000 DON'T GET UP UNTIL THEY'RE OUT. 813 00:49:39,000 --> 00:49:40,000 OK, OK. 814 00:49:40,000 --> 00:49:43,000 WHAT'S ALL THIS LANE BIDDLECOFF STUFF? 815 00:49:43,000 --> 00:49:46,000 THERE'S NOBODY'S BODY IN THAT COFFIN. 816 00:49:46,000 --> 00:49:48,000 OR IS THERE? 817 00:49:48,000 --> 00:49:50,000 YOU DIDN'T MURDER GEORGIANA LATIMER, 818 00:49:50,000 --> 00:49:53,000 BUT MAYBE YOU MURDERED SOMEBODY ELSE. 819 00:49:53,000 --> 00:49:56,000 WHEN DID YOU CLEAR ME? 820 00:49:56,000 --> 00:49:58,000 WHEN I SAW HER OUTSIDE. 821 00:49:58,000 --> 00:50:01,000 I DID SEE HER, MICHAEL. 822 00:50:01,000 --> 00:50:03,000 HERE'S YOUR PILLOW. 823 00:50:03,000 --> 00:50:05,000 HE WANTS TO SEE YOU. 824 00:50:05,000 --> 00:50:06,000 WHO? 825 00:50:06,000 --> 00:50:08,000 IN THE BGAGE CAR. 826 00:50:08,000 --> 00:50:10,000 WHO? 827 00:50:10,000 --> 00:50:12,000 DON'T PRESS ME. THE REVEREND. 828 00:50:12,000 --> 00:50:16,000 OH. 829 00:50:16,000 --> 00:50:21,000 TAKE A NAP. 830 00:50:38,000 --> 00:50:43,000 KEEP MOVING, PUNK. 831 00:50:43,000 --> 00:50:45,000 ALONE AT LAST, HUH? 832 00:50:45,000 --> 00:50:48,000 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 833 00:50:48,000 --> 00:50:50,000 SURE YOU DO. 834 00:50:50,000 --> 00:50:51,000 OK, I KNOW. 835 00:50:51,000 --> 00:50:54,000 I WASN'T TRYING TO TAKE IT. 836 00:50:54,000 --> 00:50:56,000 DON'T WASTE YOUR BREATH! 837 00:50:56,000 --> 00:51:00,000 COME ON, COME ON. TAKE IT EASY! 838 00:51:00,000 --> 00:51:02,000 DON'T SHOOT ME, OK? 839 00:51:02,000 --> 00:51:05,000 WHATEVER YOU DO, DON'T SHOOT ME. 840 00:51:05,000 --> 00:51:09,000 I'LL HAVE TO BEAT IT OUT OF YOU. 841 00:51:09,000 --> 00:51:12,000 GOD! 842 00:51:12,000 --> 00:51:14,000 NOW, WHERE'S CENTURY? 843 00:51:14,000 --> 00:51:16,000 TELL ME WHERE HE IS. 844 00:51:16,000 --> 00:51:19,000 NOW! I WANT TO KNOW. 845 00:51:19,000 --> 00:51:20,000 I DON'T-- 846 00:51:20,000 --> 00:51:22,000 TELL ME REAL QUICK. 847 00:51:22,000 --> 00:51:24,000 I DON'T KNOW. 848 00:51:24,000 --> 00:51:26,000 I'LL START GETTING TOUGH. 849 00:51:26,000 --> 00:51:29,000 I DIDN'T TELL HIM NOTHING. 850 00:51:29,000 --> 00:51:30,000 OK. 851 00:51:30,000 --> 00:51:33,000 ♪ OH, HOW MY HEART YEARNS FOR YOU ♪ 852 00:51:33,000 --> 00:51:36,000 ♪ OH, PEGGY, MY PEGGY SUE ♪ 853 00:51:36,000 --> 00:51:41,000 ♪ WELL, I LOVE YOU, GIRL ♪♪ 854 00:52:21,000 --> 00:52:26,000 I THOUGHT I TOLD YOU TO KEEP YOUR NOSE CLEAN. 855 00:52:26,000 --> 00:52:28,000 CENTURY, TELL STANDISH 856 00:52:28,000 --> 00:52:32,000 ABOUT THE TIME YOU FIXED THE RACES. 857 00:52:32,000 --> 00:52:34,000 WE JUST BURNT THE NOSTALGIA 858 00:52:34,000 --> 00:52:36,000 DOWN TO THE GROUND. 859 00:52:36,000 --> 00:52:39,000 I HAVE A NEW BUSINESS. 860 00:52:39,000 --> 00:52:43,000 YOU'RE NOT A PRIEST, ARE YOU? 861 00:52:43,000 --> 00:52:45,000 NOT BLOODY LIKELY. 862 00:52:45,000 --> 00:52:47,000 I NEED A HIGH COLLAR 863 00:52:47,000 --> 00:52:50,000 FOR THE WOUND ON MY NECK. 864 00:52:50,000 --> 00:52:52,000 WHERE'D YOU GET THAT? 865 00:52:52,000 --> 00:52:54,000 BOLIVIA. 866 00:52:54,000 --> 00:52:56,000 A WORD OF ADVICE. 867 00:52:56,000 --> 00:52:58,000 NEVER CROSS 11 JUNTA COLONELS. 868 00:52:58,000 --> 00:53:01,000 FAR FUCKING OUT. 869 00:53:01,000 --> 00:53:03,000 PRECISELY. 870 00:53:03,000 --> 00:53:05,000 NOW, KID, FROM THE BEGINNING. 871 00:53:05,000 --> 00:53:10,000 WELL, I HAD THIS ROLLER SKATING TEAM... 872 00:53:20,000 --> 00:53:22,000 ♪ MERRILY, MERRILY, MERRILY, MERRILY ♪ 873 00:53:22,000 --> 00:53:24,000 ♪ LIFE IS BUT A DREAM ♪ 874 00:53:24,000 --> 00:53:27,000 ♪ ROW, ROW, ROW YOUR BOAT ♪ 875 00:53:27,000 --> 00:53:29,000 ♪ GENTLY DOWN THE STREAM ♪ 876 00:53:29,000 --> 00:53:31,000 ♪ MERRILY, MERRILY, MERRILY, MERRILY ♪ 877 00:53:31,000 --> 00:53:33,000 ♪ LIFE IS BUT A DREAM ♪ 878 00:53:33,000 --> 00:53:36,000 ♪ ROW, ROW, ROW YOUR BOAT ♪ 879 00:53:36,000 --> 00:53:38,000 ♪ GENTLY DOWN THE STREAM ♪ 880 00:53:38,000 --> 00:53:40,000 ♪ MERRILY, MERRILY, MERRILY, MERRILY ♪ 881 00:53:40,000 --> 00:53:45,000 ♪ LIFE IS BUT A DREAM ♪♪ 882 00:53:49,000 --> 00:53:54,000 I KNEW THAT SOLDIER BOY WAS ON THE UP AND UP. 883 00:53:55,000 --> 00:53:58,000 I TRIED TO TELL THAT G-MAN. 884 00:53:58,000 --> 00:54:03,000 TOO BAD THAT COFFIN'S GOT TO GO TO NEW YORK 885 00:54:03,000 --> 00:54:05,000 BEFORE IT GETS TO NEBRASKA. 886 00:54:05,000 --> 00:54:09,000 WISH I COULD DO SOMETHING TO HELP. 887 00:54:09,000 --> 00:54:10,000 BUT WHAT? 888 00:54:10,000 --> 00:54:14,000 LET ME THINK. 889 00:54:14,000 --> 00:54:16,000 GOT IT! 890 00:54:16,000 --> 00:54:19,000 WHO IS IN THE COFFIN? 891 00:54:19,000 --> 00:54:20,000 GOOD QUESTION. 892 00:54:20,000 --> 00:54:22,000 HOW WOULD I KNOW? 893 00:54:22,000 --> 00:54:25,000 I DIDN'T OPEN IT TO FIND OUT. 894 00:54:25,000 --> 00:54:27,000 I SEE. 895 00:54:27,000 --> 00:54:29,000 THAT'S QUITE A STORY. 896 00:54:29,000 --> 00:54:34,000 MIND IF I SLEEP ON IT? 897 00:54:40,000 --> 00:54:45,000 [WHACK] 898 00:55:06,000 --> 00:55:11,000 DENVER! 899 00:55:15,000 --> 00:55:18,000 SORRY YOU DIDN'T GET YOUR MAN. 900 00:55:18,000 --> 00:55:20,000 I'M NOT OFF THE CASE. 901 00:55:20,000 --> 00:55:24,000 IT AIN'T OVER TILL THE FAT LADY SINGS. 902 00:55:24,000 --> 00:55:26,000 WHICH FAT LADY? 903 00:55:26,000 --> 00:55:30,000 BOX UP THEM POOCHIES IF YOU'RE GOING ABOARD. 904 00:55:30,000 --> 00:55:32,000 PILKINGTON AGENCIES. 905 00:55:32,000 --> 00:55:34,000 THEY'RE GUARD DOGS. 906 00:55:34,000 --> 00:55:35,000 OH, YES, PILKINSON'S. 907 00:55:35,000 --> 00:55:38,000 WHERE'S YOUR SHIPMENT? 908 00:55:38,000 --> 00:55:40,000 IN THE ARMORED TRUCK. 909 00:55:40,000 --> 00:55:42,000 I'M CHECKING THIS CAR FIRST. 910 00:55:42,000 --> 00:55:44,000 HELLO. 911 00:55:44,000 --> 00:55:46,000 HE'LL TEAR YOUR ARM OFF. 912 00:55:46,000 --> 00:55:48,000 DOGS DON'T SCARE ME. 913 00:55:48,000 --> 00:55:51,000 I'VE HAD LABRADOR REPEATERS, ENGLISH SETTLERS-- 914 00:55:51,000 --> 00:55:54,000 THEY DIDN'T BITE MY ASS. 915 00:55:54,000 --> 00:55:56,000 STANDISH, MY DEAR, GOOD LUCK. 916 00:55:56,000 --> 00:55:59,000 FROM THE WAY YOU GUYS 917 00:55:59,000 --> 00:56:01,000 BEEN LOOKING AT EACH OTHER, 918 00:56:01,000 --> 00:56:04,000 I HAVE A FEELING 919 00:56:04,000 --> 00:56:06,000 I'LL SEE YOU AGAIN. 920 00:56:06,000 --> 00:56:07,000 BYE. 921 00:56:07,000 --> 00:56:09,000 BYE. 922 00:56:09,000 --> 00:56:11,000 WHAT'S IN HERE? 923 00:56:11,000 --> 00:56:12,000 MY LIFE. 924 00:56:12,000 --> 00:56:14,000 THIS BREAKDOWN MAY BE LONG. 925 00:56:14,000 --> 00:56:17,000 ARE YOU GETTING OFF, SOLDIER? 926 00:56:17,000 --> 00:56:22,000 I'M JUST TAKING STAND-- MISS BIDDLECOFF TO A TAXI. 927 00:56:22,000 --> 00:56:25,000 I GOT TO CALL THE PRESIDENT. 928 00:56:25,000 --> 00:56:27,000 WHO'S HE CALLING? 929 00:56:27,000 --> 00:56:28,000 THE PRESIDENT. 930 00:56:28,000 --> 00:56:31,000 I'LL JUST CALL US A-- 931 00:56:31,000 --> 00:56:35,000 TAXI! 932 00:56:35,000 --> 00:56:40,000 STAY. 933 00:56:48,000 --> 00:56:50,000 THE WORD IS GOOD-BYE, 934 00:56:50,000 --> 00:56:53,000 BUT I JUST CAN'T SAY IT. 935 00:56:53,000 --> 00:56:55,000 FIVE MINUTES FROM NOW, 936 00:56:55,000 --> 00:56:57,000 YOU'LL HIT ON SOMEONE ELSE. 937 00:56:57,000 --> 00:57:02,000 IT'LL BE AT LEAST AN HOUR. 938 00:57:02,000 --> 00:57:04,000 IT'S A JOKE. 939 00:57:04,000 --> 00:57:06,000 I KNOW. 940 00:57:06,000 --> 00:57:08,000 I KNOW. 941 00:57:08,000 --> 00:57:13,000 YOU REALLY LIKE ME. 942 00:57:13,000 --> 00:57:15,000 YEAH. 943 00:57:15,000 --> 00:57:17,000 YOU READY? 944 00:57:17,000 --> 00:57:19,000 TURN ON YOUR METER. 945 00:57:19,000 --> 00:57:24,000 SHUT OFF YOUR MOUTH. 946 00:57:27,000 --> 00:57:29,000 YOU HAVE THE NUMBER. 947 00:57:29,000 --> 00:57:32,000 THAT'S WASHINGTON, D.C., PERSON TO PERSON. 948 00:57:32,000 --> 00:57:34,000 THE NAME? 949 00:57:34,000 --> 00:57:36,000 WELL, I DON'T RIGHTLY RECALL. 950 00:57:36,000 --> 00:57:40,000 HE'S THE PRESIDENT OF THE UNITED STATES. 951 00:57:40,000 --> 00:57:41,000 THAT'S RIGHT. 952 00:57:41,000 --> 00:57:46,000 THANK YOU VERY MUCH. 953 00:57:48,000 --> 00:57:50,000 HELLO, MISS ROSEWOOD? 954 00:57:50,000 --> 00:57:52,000 IS THE PRESIDENT IN? 955 00:57:52,000 --> 00:57:54,000 THIS IS VERNE STAPLETON. 956 00:57:54,000 --> 00:57:56,000 YES, THAT'S RIGHT, 957 00:57:56,000 --> 00:58:00,000 THE OLDEST RAILROAD CONDUCTOR IN THE WORLD. 958 00:58:00,000 --> 00:58:03,000 YEAH, I THOUGHT THAT'D GET TO YOU. 959 00:58:03,000 --> 00:58:07,000 WOULD YOU JUST PUT THE PRESIDENT ON, PLEASE? 960 00:58:07,000 --> 00:58:09,000 HE'S BUSY? WITH WHO? 961 00:58:09,000 --> 00:58:11,000 WALTER GATES? 962 00:58:11,000 --> 00:58:12,000 WATERGATE. 963 00:58:12,000 --> 00:58:14,000 DON'T THINK I KNOW HIM. 964 00:58:14,000 --> 00:58:17,000 ANYWAY, I'M HAVING A LITTLE TROUBLE 965 00:58:17,000 --> 00:58:20,000 WITH THE RAILWAY AGAIN, AND--OH? 966 00:58:20,000 --> 00:58:25,000 MAYBE WALTER CRONKITE WON'T BE SO BUSY. 967 00:58:25,000 --> 00:58:27,000 HELLO THERE, MR. PRESIDENT! 968 00:58:27,000 --> 00:58:31,000 HOW ARE YOU? 969 00:58:31,000 --> 00:58:35,000 AND GET OUT OF THAT ARMY UNIFORM 970 00:58:35,000 --> 00:58:37,000 BEFORE THEY SEND YOU OVERSEAS. 971 00:58:37,000 --> 00:58:40,000 YOU KNOW WHERE TO FIND ME-- 972 00:58:40,000 --> 00:58:43,000 CHOCK FULL 'O NUTS, DENVER, COLORADO. 973 00:58:43,000 --> 00:58:47,000 GOOD-BYE. 974 00:58:47,000 --> 00:58:49,000 UH, LET GO, STANDISH. 975 00:58:49,000 --> 00:58:50,000 LET GO! 976 00:58:50,000 --> 00:58:53,000 YOU SON OF A BITCH! 977 00:58:53,000 --> 00:58:55,000 YOU ALMOST KILLED HIM! 978 00:58:55,000 --> 00:58:58,000 THAT'LL BE FINE, MR. PRESIDENT. 979 00:58:58,000 --> 00:59:00,000 AND WHILE YOU'RE CALLING AMRAIL, 980 00:59:00,000 --> 00:59:04,000 I'LL CALL HIGH RIVER AND THE MAYOR, AND-- 981 00:59:04,000 --> 00:59:07,000 YOU'LL CALL HIM? OH, FINE. 982 00:59:07,000 --> 00:59:10,000 THANK YOU, MR. PRESIDENT. 983 00:59:10,000 --> 00:59:15,000 MY BEST TO MRS. NICKERSON AND TO CHECKERS. 984 00:59:22,000 --> 00:59:24,000 YOU READY NOW? 985 00:59:24,000 --> 00:59:26,000 GO AHEAD. 986 00:59:26,000 --> 00:59:28,000 KING OF SPADES. 987 00:59:28,000 --> 00:59:29,000 KING. 988 00:59:29,000 --> 00:59:32,000 ONE, TWO, THREE. 989 00:59:32,000 --> 00:59:34,000 YOU LOOKED IN THE COFFIN? 990 00:59:34,000 --> 00:59:37,000 I COULDN'T TELL YOU WITH STANDISH HERE. 991 00:59:37,000 --> 00:59:40,000 IF THAT GUY HAD KILLED ME, 992 00:59:40,000 --> 00:59:42,000 HE'D HAVE KILLED HER. 993 00:59:42,000 --> 00:59:44,000 THANKS FOR SAVING ME. 994 00:59:44,000 --> 00:59:46,000 THAT'S ALL RIGHT. 995 00:59:46,000 --> 00:59:47,000 BLACKJACK. 996 00:59:47,000 --> 00:59:49,000 HOW CONVENIENT! 997 00:59:49,000 --> 00:59:50,000 YES. 998 00:59:50,000 --> 00:59:53,000 SO YOU OPENED THE COFFIN, AND? 999 00:59:53,000 --> 00:59:58,000 THERE'S ABOUT $1 MILLION IN THERE. 1000 01:00:00,000 --> 01:00:02,000 $5 MILLION. 1001 01:00:02,000 --> 01:00:03,000 WHAT? 1002 01:00:03,000 --> 01:00:04,000 I COUNTED IT. 1003 01:00:04,000 --> 01:00:08,000 YOU MEAN THERE'S $5 MILLION IN THERE? 1004 01:00:08,000 --> 01:00:10,000 SHH. WHAT YOU GOT? 1005 01:00:10,000 --> 01:00:13,000 NO WONDER HE'S TRYING TO KILL ME. 1006 01:00:13,000 --> 01:00:15,000 HIT ME. 1007 01:00:15,000 --> 01:00:16,000 BLACKJACK. 1008 01:00:16,000 --> 01:00:17,000 USE THAT. 1009 01:00:17,000 --> 01:00:22,000 NO, THANKS. I HAVE ENOUGH. 1010 01:00:31,000 --> 01:00:34,000 SEVEN AYE, TWO NO, ONE ABSTENTION, 1011 01:00:34,000 --> 01:00:37,000 FOLLOWED BY THE USUAL CLOSING PRAYER 1012 01:00:37,000 --> 01:00:39,000 DELIVERED BY THE REVEREND. 1013 01:00:39,000 --> 01:00:41,000 MEETING ADJOURNED BY MAYOR FRIZZOLI. 1014 01:00:41,000 --> 01:00:43,000 END OF MINUTES. 1015 01:00:43,000 --> 01:00:47,000 DO I HEAR A MOTION TO APPROVE? 1016 01:00:47,000 --> 01:00:48,000 MAYOR FRIZZOLI! 1017 01:00:48,000 --> 01:00:50,000 DON'T DO THAT! 1018 01:00:50,000 --> 01:00:54,000 THIS JUST ARRIVED FROM THE WHITE HOUSE! 1019 01:00:54,000 --> 01:00:56,000 THE WHITE HOUSE? 1020 01:00:56,000 --> 01:00:58,000 YES. 1021 01:00:58,000 --> 01:01:02,000 WELL, WHAT, WHAT IS IT? 1022 01:01:02,000 --> 01:01:03,000 JESUS... 1023 01:01:03,000 --> 01:01:04,000 HERBERT... 1024 01:01:04,000 --> 01:01:06,000 CHRIST! 1025 01:01:06,000 --> 01:01:08,000 WHAT'S GOING ON? 1026 01:01:08,000 --> 01:01:10,000 HIS NEPHEW, LANE BILLECOFF, DIED. 1027 01:01:10,000 --> 01:01:15,000 HIS REMAINS ARE BEING SENT HERE TO HIGH RIVER TODAY 1028 01:01:15,000 --> 01:01:18,000 ON THE AMRAIL COAST-TO-COASTER. 1029 01:01:18,000 --> 01:01:21,000 THAT TRAIN DOESN'T COME HERE. 1030 01:01:21,000 --> 01:01:23,000 IT DOES TODAY, 1031 01:01:23,000 --> 01:01:26,000 BY SPECIAL ORDER OF THE PRESIDENT. 1032 01:01:26,000 --> 01:01:30,000 THEY STOLE THE MONEY FROM GEORGIANA LATIMER'S FATHER. 1033 01:01:30,000 --> 01:01:32,000 STANDISH DID SEE HER. 1034 01:01:32,000 --> 01:01:33,000 PROBABLY. 1035 01:01:33,000 --> 01:01:35,000 WHY WOULD LATIMER SAY 1036 01:01:35,000 --> 01:01:38,000 THERE WAS ONLY $100,000 MISSING? 1037 01:01:38,000 --> 01:01:42,000 HE WAS TRYING TO HIDE IT, THAT'S WHY. 1038 01:01:42,000 --> 01:01:43,000 FROM WHO? 1039 01:01:43,000 --> 01:01:47,000 WHO WE ALL HIDE MONEY FROM--THE I.R.S. 1040 01:01:47,000 --> 01:01:50,000 OH. 1041 01:01:50,000 --> 01:01:52,000 WHAT WILL WE DO? 1042 01:01:52,000 --> 01:01:54,000 FINDERS KEEPERS, KID. 1043 01:01:54,000 --> 01:01:56,000 YOU MEAN STEAL IT? 1044 01:01:56,000 --> 01:01:57,000 LATIMER ALREADY DID. 1045 01:01:57,000 --> 01:02:00,000 YOU CAN'T STEAL THE SAME MONEY 1046 01:02:00,000 --> 01:02:02,000 FROM THE GOVERNMENT TWICE. 1047 01:02:02,000 --> 01:02:04,000 THAT'S DOUBLE JEOPARDY. 1048 01:02:04,000 --> 01:02:07,000 WAIT A MINUTE. ROBBERY IS ROBBERY. 1049 01:02:07,000 --> 01:02:10,000 SHUT UP, MICHAEL, YOU UNGRATEFUL ASSHOLE. 1050 01:02:10,000 --> 01:02:13,000 STANDISH! WE JUST SAID GOOD-BYE. 1051 01:02:13,000 --> 01:02:16,000 I ALMOST GOT KILLED IN THE PROCESS. 1052 01:02:16,000 --> 01:02:21,000 CENTURY JUST SAVED YOUR LIFE. 1053 01:02:21,000 --> 01:02:23,000 WHAT ARE YOU DOING? 1054 01:02:23,000 --> 01:02:28,000 WE NEED SOMETHING TO PUT THE MONEY IN. 1055 01:02:41,000 --> 01:02:46,000 [DOG BARKS] 1056 01:03:14,000 --> 01:03:17,000 ANNA-MARIE. 1057 01:03:17,000 --> 01:03:19,000 ANNA-MARIE! 1058 01:03:19,000 --> 01:03:24,000 HMM? 1059 01:03:24,000 --> 01:03:26,000 ANNA-MARIE! 1060 01:03:26,000 --> 01:03:27,000 WHAT? 1061 01:03:27,000 --> 01:03:29,000 WHERE ARE YOU? 1062 01:03:29,000 --> 01:03:31,000 WHAT IS IT, MARIO? 1063 01:03:31,000 --> 01:03:33,000 WHERE THE HELL IS HE? 1064 01:03:33,000 --> 01:03:35,000 HE'S HELPING ME. 1065 01:03:35,000 --> 01:03:38,000 I DO ALL THE WORK 1066 01:03:38,000 --> 01:03:41,000 SINCE YOU MADE ME FIRE EVERYBODY. 1067 01:03:41,000 --> 01:03:43,000 I HAD TO FIRE EVERYBODY 1068 01:03:43,000 --> 01:03:47,000 SO THEY WOULDN'T KNOW HE WAS HERE. 1069 01:03:47,000 --> 01:03:49,000 HELLO, UNCLE MARIO. 1070 01:03:49,000 --> 01:03:50,000 SHUT UP. 1071 01:03:50,000 --> 01:03:53,000 THERE'S A TRAIN ARRIVING HERE 1072 01:03:53,000 --> 01:03:55,000 IN A FEW HOURS. 1073 01:03:55,000 --> 01:03:58,000 ON IT IS LANE BIDDLECOFF'S BODY. 1074 01:03:58,000 --> 01:04:00,000 BUT I'M LANE BIDDLECOFF. 1075 01:04:00,000 --> 01:04:02,000 WHAT'S GOING ON? 1076 01:04:02,000 --> 01:04:06,000 YOUR SON IS NO LONGER A LIVING DESERTER. 1077 01:04:06,000 --> 01:04:08,000 NOW HE'S A DEAD HERO. 1078 01:04:08,000 --> 01:04:13,000 THERE MUST BE SOME MISTAKE. 1079 01:04:13,000 --> 01:04:15,000 OF COURSE IT'S A MISTAKE! 1080 01:04:15,000 --> 01:04:17,000 BUT ONLY WE KNOW. 1081 01:04:17,000 --> 01:04:21,000 WHEN THE STIFF ARRIVES, WE HAVE A PARADE. 1082 01:04:21,000 --> 01:04:23,000 IT GOES IN THE GROUND. 1083 01:04:23,000 --> 01:04:25,000 WE STICK THIS MORON 1084 01:04:25,000 --> 01:04:28,000 ON A BANANA BOAT FOR VENEZUELA. 1085 01:04:28,000 --> 01:04:31,000 HOW COME I'M GOING TO VENEZUELA? 1086 01:04:31,000 --> 01:04:33,000 BECAUSE YOU WEREN'T KILLED! 1087 01:04:33,000 --> 01:04:35,000 THAT IS YOUR NEPHEW! 1088 01:04:35,000 --> 01:04:38,000 I DON'T WANT TO GO TO VENEZUELA. 1089 01:04:38,000 --> 01:04:42,000 YOU SHOULD'VE CONSIDERED THAT WHEN YOU DESERTED. 1090 01:04:42,000 --> 01:04:45,000 YOU SHOULD'VE KEPT ME FROM THE DRAFT. 1091 01:04:45,000 --> 01:04:49,000 YOU ENLISTED! 1092 01:04:49,000 --> 01:04:51,000 OH, YEAH. THAT'S RIGHT. 1093 01:04:51,000 --> 01:04:53,000 JESUS! WHAT A NITWIT! 1094 01:04:53,000 --> 01:04:55,000 KEEP HIM IN THAT HOUSE 1095 01:04:55,000 --> 01:05:00,000 UNTIL I CAN SNEAK HIM OUT OF TOWN! 1096 01:05:10,000 --> 01:05:13,000 ♪ SO YOU THINK YOU'RE A ROMEO ♪ 1097 01:05:13,000 --> 01:05:15,000 ♪ PLAYING A PART IN A PICTURE SHOW ♪ 1098 01:05:15,000 --> 01:05:19,000 ♪ WELL, TAKE THE LONG WAY HOME ♪ 1099 01:05:19,000 --> 01:05:23,000 ♪ TAKE THE LONG WAY HOME ♪ 1100 01:05:23,000 --> 01:05:26,000 ♪ IF YOU'RE THE JOKE OF THE NEIGHBORHOOD ♪ 1101 01:05:26,000 --> 01:05:28,000 ♪ WHY SHOULD SHE CARE IF YOU'RE FEELING GOOD ♪ 1102 01:05:28,000 --> 01:05:32,000 WELL, TAKE ♪ THE LONG WAY HOME ♪♪ 1103 01:05:32,000 --> 01:05:35,000 YOU CAN GO TO THE BAGGAGE CAR. 1104 01:05:35,000 --> 01:05:37,000 THEM DOBERMANS ARE TIED UP. 1105 01:05:37,000 --> 01:05:39,000 ARE WE NEARING OMAHA? 1106 01:05:39,000 --> 01:05:41,000 NO, HIGH RIVER. 1107 01:05:41,000 --> 01:05:43,000 YOU SAID THAT, RIGHT? 1108 01:05:43,000 --> 01:05:46,000 THAT'S WHAT I TOLD HIM. 1109 01:05:46,000 --> 01:05:48,000 WHAT WAS THAT ABOUT? 1110 01:05:48,000 --> 01:05:50,000 HE THINKS HE HAD NIXON 1111 01:05:50,000 --> 01:05:52,000 REROUTE US TO NEBRASKA. 1112 01:05:52,000 --> 01:05:56,000 [HUMMING THEME FROM TWILIGHT ZONE] 1113 01:05:56,000 --> 01:05:59,000 PEOPLE, LINE UP THIS INSTANT. 1114 01:05:59,000 --> 01:06:03,000 ALONG HERE, DO YOU HEAR ME? 1115 01:06:03,000 --> 01:06:05,000 OH, KIDS. 1116 01:06:05,000 --> 01:06:08,000 THEY W0NDER WHY I'M NOT MARRIED. 1117 01:06:08,000 --> 01:06:10,000 NO, THEY DON'T. 1118 01:06:10,000 --> 01:06:12,000 HERE COMES THE MAYOR. 1119 01:06:12,000 --> 01:06:14,000 IT'S WILT CHAMBERLAIN IN DRAG. 1120 01:06:14,000 --> 01:06:16,000 WE ALL SET? 1121 01:06:16,000 --> 01:06:18,000 AS WE'LL EVER BE. 1122 01:06:18,000 --> 01:06:20,000 YOU LOOK LOVELY, ISADORA. 1123 01:06:20,000 --> 01:06:22,000 CUT THE CRAP. 1124 01:06:22,000 --> 01:06:23,000 MAYOR FRIZZOLI? 1125 01:06:23,000 --> 01:06:25,000 NADINE GARDNER, UBS, OMAHA. 1126 01:06:25,000 --> 01:06:28,000 YOU COVERING THIS ON TELEVISION? 1127 01:06:28,000 --> 01:06:29,000 CERTAINLY. 1128 01:06:29,000 --> 01:06:30,000 I WAS WONDERING, 1129 01:06:30,000 --> 01:06:33,000 WHERE IS LANE BIDDLECOFF'S MOTHER? 1130 01:06:33,000 --> 01:06:35,000 SHE WON'T ATTEND THE FUNERAL. 1131 01:06:35,000 --> 01:06:37,000 SHE'S OVERCOME WITH GRIEF. 1132 01:06:37,000 --> 01:06:42,000 I SEE. 1133 01:06:55,000 --> 01:07:00,000 HIGH RIVER, NEBRASKA! 1134 01:07:08,000 --> 01:07:09,000 HE DID IT. 1135 01:07:09,000 --> 01:07:14,000 TWO, THREE. 1136 01:07:15,000 --> 01:07:18,000 WE'RE IN SOME WAR MOVIE. 1137 01:07:18,000 --> 01:07:20,000 LOOK, WHAT'S HE PLAYING? 1138 01:07:20,000 --> 01:07:23,000 MAD ABOUT THE BOY. WHAT ELSE? 1139 01:07:23,000 --> 01:07:28,000 I WILL DO THE TALKING. 1140 01:07:30,000 --> 01:07:32,000 WELCOME TO HIGH RIVER, NEBRASKA, 1141 01:07:32,000 --> 01:07:35,000 ON THIS SAD BUT TRIUMPHANT OCCASION. 1142 01:07:35,000 --> 01:07:38,000 WORDS CANNOT CONVEY OUR FEELINGS, 1143 01:07:38,000 --> 01:07:40,000 SO THERE WON'T BE ANY. 1144 01:07:40,000 --> 01:07:42,000 OK, GET IT OUT. 1145 01:07:42,000 --> 01:07:44,000 EXCUSE ME. 1146 01:07:44,000 --> 01:07:46,000 EXCUSE ME. YOUR HONOR? 1147 01:07:46,000 --> 01:07:49,000 IT IS YOUR HONOR, ISN'T IT? 1148 01:07:49,000 --> 01:07:51,000 YEAH. MAYOR FRIZZOLI. 1149 01:07:51,000 --> 01:07:53,000 ALLOW US TO INTRODUCE OURSELVES. 1150 01:07:53,000 --> 01:07:55,000 THIS IS SERGEANT RANGELOFF, 1151 01:07:55,000 --> 01:07:57,000 SPECIAL GRAVES DETAIL, 1152 01:07:57,000 --> 01:08:01,000 AND I AM THE... 1153 01:08:01,000 --> 01:08:05,000 THE REVEREND BASSINET. 1154 01:08:05,000 --> 01:08:08,000 WALKER BASSINET, MAJOR, U.S. ARMY, RETIRED. 1155 01:08:08,000 --> 01:08:10,000 I WAS LANE'S CHAPLAIN. 1156 01:08:10,000 --> 01:08:12,000 I'M ISADORA FRIZZOLI. 1157 01:08:12,000 --> 01:08:16,000 I HAVE A POEM FOR MY COUSIN LANE. 1158 01:08:16,000 --> 01:08:20,000 SHE WROTE IT HERSELF. 1159 01:08:20,000 --> 01:08:22,000 A LILY FOR LANE BIDDLECOFF 1160 01:08:22,000 --> 01:08:25,000 I LAY UPON HIS COFFIN, 1161 01:08:25,000 --> 01:08:28,000 AND WHEN HE'S UNDERNEATH THE GROUND, 1162 01:08:28,000 --> 01:08:33,000 I'LL COME AND SEE HIM OFTEN. 1163 01:08:34,000 --> 01:08:36,000 OK, LET'S GO. 1164 01:08:36,000 --> 01:08:40,000 OH, ONE MOMENT, PLEASE. 1165 01:08:40,000 --> 01:08:45,000 IN YOUR GRIEF, YOU'VE OVERLOOKED SOMEONE. 1166 01:08:46,000 --> 01:08:51,000 I AM MRS. LANE BIDDLEHOFF. 1167 01:08:52,000 --> 01:08:54,000 COFF. COFF. 1168 01:08:54,000 --> 01:08:55,000 [COUGHS] 1169 01:08:55,000 --> 01:08:58,000 WE WERE MARRIED 1170 01:08:58,000 --> 01:09:02,000 BEFORE HE WENT OVERSEAS. 1171 01:09:02,000 --> 01:09:05,000 YOU'LL NOTICE I'M NOT DRESSED IN MOURNING. 1172 01:09:05,000 --> 01:09:10,000 IF YOU WERE AS CLOSE TO LANE AS I WAS, 1173 01:09:10,000 --> 01:09:15,000 YOU'D KNOW HE'D HAVE WANTED IT LIKE THIS. 1174 01:09:15,000 --> 01:09:17,000 PLAY, PLAY, PLAY! 1175 01:09:17,000 --> 01:09:22,000 MARCH. TWO, ONE, TWO! 1176 01:09:23,000 --> 01:09:25,000 [TWEET] 1177 01:09:25,000 --> 01:09:30,000 LET'S GO, PLEASE. LET'S GO. 1178 01:09:34,000 --> 01:09:36,000 NOW, COOLIDGE HAD A DOG. 1179 01:09:36,000 --> 01:09:39,000 HE WAS A FARM BOY. 1180 01:09:39,000 --> 01:09:42,000 HE WAS PARTIAL TO COLLIE DOGS. 1181 01:09:42,000 --> 01:09:44,000 THEN THERE WAS ROOSEVELT. 1182 01:09:44,000 --> 01:09:47,000 HE HAD A LITTLE BLACK DOG 1183 01:09:47,000 --> 01:09:52,000 BY THE NAME OF FALA. 1184 01:10:04,000 --> 01:10:09,000 LANE'S MOTHER NEVER TOLD US HE GOT MARRIED. 1185 01:10:10,000 --> 01:10:12,000 WHERE IS HIS MOTHER? 1186 01:10:12,000 --> 01:10:14,000 SHE'S AT HOME. 1187 01:10:14,000 --> 01:10:16,000 SHE'S PROSTATE WITH GRIEF. 1188 01:10:16,000 --> 01:10:18,000 PROSTRATE. 1189 01:10:18,000 --> 01:10:22,000 Y'ALL, I BELIEVE WE'RE PASSING THE FUNERAL PARLOR. 1190 01:10:22,000 --> 01:10:24,000 THAT'S RIGHT. 1191 01:10:24,000 --> 01:10:27,000 WE'RE GOING RIGHT TO THE CEMETERY. 1192 01:10:27,000 --> 01:10:28,000 HEY, LOOK OUT! 1193 01:10:28,000 --> 01:10:33,000 I WISH YOU WOULDN'T KEEP DOING THAT. 1194 01:10:39,000 --> 01:10:44,000 [DOG BARKS] 1195 01:11:05,000 --> 01:11:07,000 [WHISTLES] 1196 01:11:07,000 --> 01:11:10,000 CAN YOU GIVE ME A LIFT? 1197 01:11:10,000 --> 01:11:15,000 MY CAR JUST BROKE DOWN. 1198 01:11:24,000 --> 01:11:26,000 ALL RIGHT, THAT'S IT. 1199 01:11:26,000 --> 01:11:31,000 I'D LIKE TO THANK YOU FOR BRINGING MY NEPHEW HOME. 1200 01:11:31,000 --> 01:11:35,000 YOU KNOW, IF YOU'RE EVER IN THE AREA... 1201 01:11:35,000 --> 01:11:37,000 WHEN ARE YOU LEAVING? 1202 01:11:37,000 --> 01:11:39,000 TOMORROW MORNING. 1203 01:11:39,000 --> 01:11:42,000 STAY IN THE GATEWAY HOTEL TONIGHT. 1204 01:11:42,000 --> 01:11:45,000 THE OTHER PLACE IS A RAT HOLE. 1205 01:11:45,000 --> 01:11:50,000 I'LL TELL MY SISTER YOU DROPPED BY, MRS. BIDDLECOFF. 1206 01:11:53,000 --> 01:11:54,000 WHO'S HIS SISTER? 1207 01:11:54,000 --> 01:11:57,000 LANE'S MAMA, THE PROSTATE WOMAN. 1208 01:11:57,000 --> 01:12:00,000 YOU HAD TO BE LANE'S WIFE? 1209 01:12:00,000 --> 01:12:03,000 YOU GUYS TOOK ALL THE GOOD PARTS. 1210 01:12:03,000 --> 01:12:07,000 $5 MILLION DIVIDED BY 6 FEET. 1211 01:12:07,000 --> 01:12:09,000 FORGET IT! 1212 01:12:09,000 --> 01:12:12,000 THAT'S $833,000 A FOOT. 1213 01:12:12,000 --> 01:12:15,000 I CAN'T FORGET IT. 1214 01:12:15,000 --> 01:12:18,000 ANNA-MARIE! 1215 01:12:18,000 --> 01:12:20,000 MMM! 1216 01:12:20,000 --> 01:12:24,000 WHY DIDN'T YOU TELL ME HE WAS MARRIED? 1217 01:12:24,000 --> 01:12:25,000 HE'S NOT. 1218 01:12:25,000 --> 01:12:29,000 HIS WIFE WAS AT THE FUNERAL! 1219 01:12:29,000 --> 01:12:31,000 HI, UNCLE MARIO. 1220 01:12:31,000 --> 01:12:35,000 WHY DIDN'T YOU TELL ME YOU WERE MARRIED? 1221 01:12:35,000 --> 01:12:37,000 I'M NOT. 1222 01:12:37,000 --> 01:12:40,000 YOUR WIFE WAS AT YOUR FUNERAL! 1223 01:12:40,000 --> 01:12:41,000 WHAT'S HER NAME? 1224 01:12:41,000 --> 01:12:44,000 I DON'T KNOW. YOU TELL ME. 1225 01:12:44,000 --> 01:12:48,000 I COULD HAVE BEEN DRUNK OR SOMETHING. 1226 01:12:48,000 --> 01:12:50,000 I'LL GO LOOK AT HER. 1227 01:12:50,000 --> 01:12:53,000 NO! SHE'S LEAVING TOMORROW MORNING. 1228 01:12:53,000 --> 01:12:55,000 YOU'RE LEAVING TOMORROW AFTERNOON. 1229 01:12:55,000 --> 01:13:00,000 COUNT ON IT! 1230 01:13:04,000 --> 01:13:06,000 HERE'S THE SETUP. 1231 01:13:06,000 --> 01:13:10,000 ONCE THE SIDEWALKS HAVE ROLLED UP TONIGHT, 1232 01:13:10,000 --> 01:13:14,000 MICHAEL AND I WILL DIG UP THE MONEY. 1233 01:13:14,000 --> 01:13:15,000 STANDISH STAYS HERE. 1234 01:13:15,000 --> 01:13:20,000 WHAT IF THE PHONE RINGS? 1235 01:13:21,000 --> 01:13:23,000 THIS IS REVEREND BASSINET 1236 01:13:23,000 --> 01:13:25,000 IN THE, UH... PRESIDENTIAL SUITE. 1237 01:13:25,000 --> 01:13:30,000 PLEASE SEE THAT THE WIDOW BIDDLECOFF IS NOT DISTURBED. 1238 01:13:30,000 --> 01:13:32,000 AND HOLD ALL CALLS. 1239 01:13:32,000 --> 01:13:33,000 PLEASE. 1240 01:13:33,000 --> 01:13:37,000 THANK YOU. 1241 01:13:37,000 --> 01:13:40,000 I'M OFF TO FILCH SOME SHOVELS 1242 01:13:40,000 --> 01:13:44,000 AND STASH THEM NEAR THE DIGS. 1243 01:13:44,000 --> 01:13:49,000 HOW LONG WILL YOU BE GONE? 1244 01:13:50,000 --> 01:13:55,000 LONG ENOUGH. 1245 01:13:56,000 --> 01:13:58,000 LONG ENOUGH FOR WHAT? 1246 01:13:58,000 --> 01:14:00,000 COME ON, MICHAEL. 1247 01:14:00,000 --> 01:14:02,000 REALLY? NOW? 1248 01:14:02,000 --> 01:14:03,000 I'M TOO TENSE. 1249 01:14:03,000 --> 01:14:08,000 THAT'S THE POINT. 1250 01:14:12,000 --> 01:14:17,000 MICHAEL. 1251 01:14:21,000 --> 01:14:23,000 KISSINGER LEFT FOR PARIS? 1252 01:14:23,000 --> 01:14:26,000 CRONKITE'S SUPPOSED TO INTERVIEW HIM TONIGHT. 1253 01:14:26,000 --> 01:14:28,000 DON'T APOLOGIZE TO ME. 1254 01:14:28,000 --> 01:14:31,000 HAVE HENRY APOLOGIZE TO WALTER. 1255 01:14:31,000 --> 01:14:32,000 YEAH. BYE. 1256 01:14:32,000 --> 01:14:35,000 I NEED ■ FILLER FOR TONIGHT. 1257 01:14:35,000 --> 01:14:39,000 THERE'S A HUMAN INTEREST ITEM FROM OMAHA. 1258 01:14:39,000 --> 01:14:40,000 DEAD WAR HERO-- 1259 01:14:40,000 --> 01:14:45,000 CHOP IT TO TWO MINUTES FOR TONIGHT. 1260 01:14:45,000 --> 01:14:47,000 MICHAEL. 1261 01:14:47,000 --> 01:14:49,000 YEAH? 1262 01:14:49,000 --> 01:14:54,000 I KNOW YOU'RE AN ASSHOLE AND ALL. 1263 01:14:55,000 --> 01:14:59,000 BUT I THINK I LOVE YOU. 1264 01:14:59,000 --> 01:15:02,000 WELL. 1265 01:15:02,000 --> 01:15:04,000 I LOVE YOU. 1266 01:15:04,000 --> 01:15:06,000 AND LOOK AT YOU-- 1267 01:15:06,000 --> 01:15:11,000 THE MIND OF A MANIAC, THE MOUTH OF A LONGSHOREMAN. 1268 01:15:11,000 --> 01:15:13,000 DO YOU? 1269 01:15:13,000 --> 01:15:14,000 YOU REALLY DO? 1270 01:15:14,000 --> 01:15:19,000 OF COURSE I DO. 1271 01:15:22,000 --> 01:15:27,000 BE QUIET. I'M THINKING. 1272 01:15:28,000 --> 01:15:33,000 WHAT ARE YOU THINKING? 1273 01:15:33,000 --> 01:15:36,000 I'M THINKING ABOUT WHAT'S GOING TO HAPPEN 1274 01:15:36,000 --> 01:15:41,000 WHEN THAT COFFIN DOESN'T ARRIVE IN NEW YORK. 1275 01:15:48,000 --> 01:15:49,000 HOW LATE? 1276 01:15:49,000 --> 01:15:51,000 A COUPLE OF HOURS. 1277 01:15:51,000 --> 01:15:54,000 IT'S BEEN REROUTED THROUGH NEBRASKA. 1278 01:15:54,000 --> 01:15:56,000 SAY, YOU LOOK FAMILIAR. 1279 01:15:56,000 --> 01:15:59,000 ARE YOU AN ACTRESS? 1280 01:15:59,000 --> 01:16:01,000 [TELEPHONE RINGS] 1281 01:16:01,000 --> 01:16:03,000 AMRAIL. 1282 01:16:03,000 --> 01:16:05,000 OH, CHRIST! 1283 01:16:05,000 --> 01:16:07,000 HEY! HEY! 1284 01:16:07,000 --> 01:16:08,000 DAMN IT. 1285 01:16:08,000 --> 01:16:13,000 I'LL CALL YOU BACK. 1286 01:16:18,000 --> 01:16:20,000 I'M GETTING ME SOME COFFEE. 1287 01:16:20,000 --> 01:16:23,000 WHAT ARE YOU STOPPING FOR? 1288 01:16:23,000 --> 01:16:25,000 I CAN DRIVE. 1289 01:16:25,000 --> 01:16:28,000 NOBODY TOUCHES THIS WHEEL BUT WATSY KLINKOWITZ. 1290 01:16:28,000 --> 01:16:30,000 WHO'S HE? 1291 01:16:30,000 --> 01:16:32,000 WELCOME TO HIGH RIVER, NEBRASKA, 1292 01:16:32,000 --> 01:16:35,000 ON THIS SAD BUT TRIUMPHANT OCCASION. 1293 01:16:35,000 --> 01:16:38,000 WORDS CANNOT BEGIN TO CONVEY 1294 01:16:38,000 --> 01:16:40,000 OUR FEELINGS AT THIS MOMENT, 1295 01:16:40,000 --> 01:16:43,000 SO THERE WON'T BE ANY. 1296 01:16:43,000 --> 01:16:48,000 GET IT OUT OF THERE. 1297 01:16:51,000 --> 01:16:53,000 EXCUSE ME. EXCUSE ME.■ 1298 01:16:53,000 --> 01:16:55,000 YOUR HONOR. 1299 01:16:55,000 --> 01:16:58,000 IT IS YOUR HONOR. 1300 01:16:58,000 --> 01:16:59,000 MAYOR FRIZZOLI. 1301 01:16:59,000 --> 01:17:02,000 ALLOW US TO INTRODUCE OURSELVES. 1302 01:17:02,000 --> 01:17:04,000 THIS IS SERGEANT RANGELOFF, 1303 01:17:04,000 --> 01:17:06,000 SPECIAL GRAVES DETAIL. 1304 01:17:06,000 --> 01:17:09,000 AND I AM THE, UH... 1305 01:17:09,000 --> 01:17:12,000 THE REVEREND BASSINET, 1306 01:17:12,000 --> 01:17:17,000 WALKER BASSINET, MAJOR, U.S. ARMY. 1307 01:17:21,000 --> 01:17:24,000 CONTINUING OUR NIGHT OWLS' NEWS UPDATES. 1308 01:17:24,000 --> 01:17:28,000 HERE'S NADINE GARDNER IN HIGH RIVER, NEBRASKA. 1309 01:17:28,000 --> 01:17:31,000 OH, MY GOD! THIS IS ME! 1310 01:17:31,000 --> 01:17:34,000 I SHOULD HAVE CALLED MY AGENT. 1311 01:17:34,000 --> 01:17:37,000 WHY DOES THIS HAPPEN TO ME-- 1312 01:17:37,000 --> 01:17:38,000 OH, MY GOD! 1313 01:17:38,000 --> 01:17:40,000 MY TEETH! 1314 01:17:40,000 --> 01:17:42,000 [KNOCK ON DOOR] 1315 01:17:42,000 --> 01:17:47,000 SOME OF YOU MAY WONDER WHY I'M NOT DRESSED IN... 1316 01:17:47,000 --> 01:17:49,000 WHAT IS IT? 1317 01:17:49,000 --> 01:17:51,000 FLOWERS FOR MRS. BIDDLEHOFF. 1318 01:17:51,000 --> 01:17:54,000 COFF. 1319 01:17:54,000 --> 01:17:59,000 MICHAEL, MICHAEL, MY DARLING. 1320 01:18:06,000 --> 01:18:10,000 SHE WAS IN HERE SITTING OVER THERE? 1321 01:18:10,000 --> 01:18:11,000 YES. 1322 01:18:11,000 --> 01:18:12,000 WATCHING TV? 1323 01:18:12,000 --> 01:18:15,000 YES. THEN SHE SUDDENLY LEFT. 1324 01:18:15,000 --> 01:18:16,000 WHAT SHOW? 1325 01:18:16,000 --> 01:18:18,000 THE 10:00 NEWS. 1326 01:18:18,000 --> 01:18:20,000 WHAT'S OUT THAT DOOR? 1327 01:18:20,000 --> 01:18:21,000 THE STREET. 1328 01:18:21,000 --> 01:18:26,000 GOOD. 1329 01:18:28,000 --> 01:18:33,000 THIS WILL TAKE ALL NIGHT. 1330 01:18:33,000 --> 01:18:34,000 AHHHH! 1331 01:18:34,000 --> 01:18:36,000 WHAT'S THAT? 1332 01:18:36,000 --> 01:18:38,000 NOTHING. SAVE YOUR BREATH, KID. 1333 01:18:38,000 --> 01:18:40,000 DIG. 1334 01:18:40,000 --> 01:18:45,000 COME ON. 1335 01:18:58,000 --> 01:19:03,000 GET OUT. 1336 01:19:03,000 --> 01:19:04,000 MOVE! 1337 01:19:04,000 --> 01:19:06,000 NICE PLACE YOU GOT HERE. 1338 01:19:06,000 --> 01:19:08,000 T■IS PLACE IS DESERTED. 1339 01:19:08,000 --> 01:19:12,000 WE'LL SIT AND WAIT FOR YOUR BOYFRIEND 1340 01:19:12,000 --> 01:19:14,000 TO BRING BACK MY MONEY. 1341 01:19:14,000 --> 01:19:19,000 COME ON. GET INSIDE. 1342 01:19:27,000 --> 01:19:29,000 THAT'S IT, GRAVE ROBBER! 1343 01:19:29,000 --> 01:19:33,000 GOOD! 1344 01:19:33,000 --> 01:19:35,000 OK. 1345 01:19:35,000 --> 01:19:37,000 LET'S FILL THE HOLE. 1346 01:19:37,000 --> 01:19:38,000 DIG. 1347 01:19:38,000 --> 01:19:40,000 [CAT MEOWS] 1348 01:19:40,000 --> 01:19:42,000 AHHH! WHAT'S THAT? 1349 01:19:42,000 --> 01:19:46,000 I DON'T KNOW, BUT THEY'RE COMING THIS WAY. 1350 01:19:46,000 --> 01:19:48,000 MICHAEL! 1351 01:19:48,000 --> 01:19:53,000 MIKE...MICHAEL! 1352 01:19:55,000 --> 01:19:57,000 HE'S GONE! 1353 01:19:57,000 --> 01:19:58,000 HI, ISADORA! 1354 01:19:58,000 --> 01:20:01,000 COUSIN LANE! 1355 01:20:01,000 --> 01:20:03,000 YOU'VE RISEN? 1356 01:20:03,000 --> 01:20:04,000 HUH? 1357 01:20:04,000 --> 01:20:05,000 AHHH! 1358 01:20:05,000 --> 01:20:07,000 HE IS RISEN! 1359 01:20:07,000 --> 01:20:09,000 HE IS RISEN! 1360 01:20:09,000 --> 01:20:11,000 WAIT! IZZY! 1361 01:20:11,000 --> 01:20:16,000 I GOT TO TALK TO YOUR FATHER. 1362 01:20:17,000 --> 01:20:19,000 I KNEW IT. 1363 01:20:19,000 --> 01:20:21,000 I KNEW THIS WOULD HAPPEN. 1364 01:20:21,000 --> 01:20:23,000 YOU CAN RETIRE. 1365 01:20:23,000 --> 01:20:26,000 WE'LL ALL RETIRE TO SING SING. 1366 01:20:26,000 --> 01:20:29,000 CALM DOWN. NOTHING'S HAPPENED YET. 1367 01:20:29,000 --> 01:20:34,000 IT'S GOING TO HAPPEN. 1368 01:20:36,000 --> 01:20:38,000 JUST GET ON THE LADDER. 1369 01:20:38,000 --> 01:20:40,000 HERE, GIVE ME THAT. 1370 01:20:40,000 --> 01:20:42,000 OW! GRAB IT. 1371 01:20:42,000 --> 01:20:47,000 THAT DOESN'T MEAN NOTHING WILL HAPPEN. 1372 01:20:47,000 --> 01:20:50,000 STANDISH! STANDISH! 1373 01:20:50,000 --> 01:20:55,000 OH, GOD. 1374 01:21:06,000 --> 01:21:09,000 SEE YOURSELF ON TV LAST NIGHT? 1375 01:21:09,000 --> 01:21:12,000 HAVE YOU SEEN MRS. BIDDLEHOFF--COFF? 1376 01:21:12,000 --> 01:21:15,000 NO. SHE'S INDISPOSED. IS ANYTHING WRONG? 1377 01:21:15,000 --> 01:21:19,000 NO...NO. 1378 01:21:19,000 --> 01:21:21,000 A WHITE HOUSE SPOKESMAN, 1379 01:21:21,000 --> 01:21:24,000 RESPONDING TO QUESTIONS ABOUT PRESIDENT NIXON'S 1380 01:21:24,000 --> 01:21:26,000 PUBLIC BLOWUP AT... 1381 01:21:26,000 --> 01:21:28,000 DADDY! DADDY! 1382 01:21:28,000 --> 01:21:29,000 WHAT? 1383 01:21:29,000 --> 01:21:31,000 HE IS RISEN! 1384 01:21:31,000 --> 01:21:34,000 COUSIN LANE IS RISEN FROM THE DEAD. 1385 01:21:34,000 --> 01:21:37,000 I SAW HIM IN THE CEMETERY. 1386 01:21:37,000 --> 01:21:39,000 THE BOX WAS EMPTY. 1387 01:21:39,000 --> 01:21:41,000 WHAT BOX? 1388 01:21:41,000 --> 01:21:44,000 THE COFFIN. HE'S OUT OF IT. 1389 01:21:44,000 --> 01:21:46,000 SO ARE YOU, ISADORA. 1390 01:21:46,000 --> 01:21:49,000 TAKE ONE OF YOUR ANTICRAZY PILLS 1391 01:21:49,000 --> 01:21:51,000 AND LEAVE YOUR FATHER ALONE. 1392 01:21:51,000 --> 01:21:54,000 BUT IT'S TRUE. 1393 01:21:54,000 --> 01:21:55,000 LOOK. 1394 01:21:55,000 --> 01:21:59,000 THERE HE IS. 1395 01:21:59,000 --> 01:22:00,000 UNCLE MARIO, 1396 01:22:00,000 --> 01:22:05,000 HAVE I GOT SOMETHING TO TELL YOU. 1397 01:22:05,000 --> 01:22:08,000 SHE'S NOT HERE! SHE'S NOT ANYWHERE! 1398 01:22:08,000 --> 01:22:13,000 I'M CALLING THE POLICE. 1399 01:22:13,000 --> 01:22:15,000 "IF YOU WANT HER BACK ALIVE!" 1400 01:22:15,000 --> 01:22:17,000 OH, MY GOD! 1401 01:22:17,000 --> 01:22:20,000 THE ADDRESS WHERE HE'S HOLDING HER 1402 01:22:20,000 --> 01:22:22,000 IS ON THE OTHER SIDE. 1403 01:22:22,000 --> 01:22:27,000 MICHAEL, I WANT YOU TO LISTEN TO ME VERY CAREFULLY. 1404 01:22:27,000 --> 01:22:29,000 OK? 1405 01:22:29,000 --> 01:22:34,000 NOW... 1406 01:22:36,000 --> 01:22:38,000 AHHH! AH! 1407 01:22:38,000 --> 01:22:40,000 AH! AHHHH! 1408 01:22:40,000 --> 01:22:43,000 AH! AH! AHHH! 1409 01:22:43,000 --> 01:22:45,000 AHHH! AHHH! AHHH! 1410 01:22:45,000 --> 01:22:47,000 AHHHHHHH! 1411 01:22:47,000 --> 01:22:50,000 AHHHHHHH! 1412 01:22:50,000 --> 01:22:52,000 AHHH! AHHH! 1413 01:22:52,000 --> 01:22:56,000 AHHH! AHHH! 1414 01:22:56,000 --> 01:22:59,000 AHHHHH! HAA! HAA! 1415 01:22:59,000 --> 01:23:00,000 SHUT UP. 1416 01:23:00,000 --> 01:23:02,000 SHUT UP! 1417 01:23:02,000 --> 01:23:03,000 AHHHHHHH! 1418 01:23:03,000 --> 01:23:06,000 AHHH! AHHH! AHHH! 1419 01:23:06,000 --> 01:23:08,000 AHHH! AHHH! 1420 01:23:08,000 --> 01:23:10,000 AHHHHH! 1421 01:23:10,000 --> 01:23:15,000 AHHHHHH! 1422 01:23:18,000 --> 01:23:19,000 [RING] 1423 01:23:19,000 --> 01:23:23,000 HIGH RIVER POLICE. 1424 01:23:23,000 --> 01:23:25,000 WHO WANTS HIM? 1425 01:23:25,000 --> 01:23:26,000 WHO? 1426 01:23:26,000 --> 01:23:29,000 I'LL SEE IF HE'S HERE. 1427 01:23:29,000 --> 01:23:31,000 UH, CHIEF! 1428 01:23:31,000 --> 01:23:32,000 YEAH? 1429 01:23:32,000 --> 01:23:33,000 PHONE. 1430 01:23:33,000 --> 01:23:35,000 IS IT MY WIFE? 1431 01:23:35,000 --> 01:23:37,000 NO, IT'S THE PREACHER. 1432 01:23:37,000 --> 01:23:42,000 OK. 1433 01:23:46,000 --> 01:23:49,000 NEVER MARRY A LITHUANIAN WOMAN. 1434 01:23:49,000 --> 01:23:51,000 CHIEF BUMBALEE HERE. 1435 01:23:51,000 --> 01:23:54,000 OH, HELLO, REVEREND. WHAT'S HAPPENING? 1436 01:23:54,000 --> 01:23:57,000 THE SOLDIER I CAME HERE WITH 1437 01:23:57,000 --> 01:24:00,000 IS NOT A SOLDIER AT ALL. 1438 01:24:00,000 --> 01:24:02,000 HE'S AN ESCAPED CONVICT. 1439 01:24:02,000 --> 01:24:05,000 GET THE MAYOR ON THE OTHER PHONE. 1440 01:24:05,000 --> 01:24:09,000 HE'S RIGHT IN THE NEXT ROOM. 1441 01:24:09,000 --> 01:24:13,000 JUST ACT NORMAL. DO WHAT YOU ALWAYS DO. 1442 01:24:13,000 --> 01:24:14,000 PRAY OR SOMETHING. 1443 01:24:14,000 --> 01:24:17,000 BLESS YOU, MY SON. 1444 01:24:17,000 --> 01:24:18,000 YEAH, YOU'RE WELCOME. 1445 01:24:18,000 --> 01:24:21,000 DO YOU HAVE THE MAYOR? 1446 01:24:21,000 --> 01:24:22,000 NO, IT'S BUSY. 1447 01:24:22,000 --> 01:24:24,000 GO TO HIS HOUSE. 1448 01:24:24,000 --> 01:24:27,000 BRING HIM TO THE GATEWAY HOTEL. 1449 01:24:27,000 --> 01:24:32,000 SHOULD I HANG UP THE PHONE? 1450 01:24:37,000 --> 01:24:40,000 YOU GOT THE RIGHT ADDRESS AND EVERYTHING? 1451 01:24:40,000 --> 01:24:43,000 [SPLASH] 1452 01:24:43,000 --> 01:24:48,000 JUST FINE. THIS IS FINE. 1453 01:24:51,000 --> 01:24:56,000 WAIT HERE. 1454 01:25:03,000 --> 01:25:07,000 HEY! 1455 01:25:07,000 --> 01:25:09,000 ALL RIGHT, TURN LEFT. 1456 01:25:09,000 --> 01:25:11,000 TURN LEFT HERE. 1457 01:25:11,000 --> 01:25:16,000 THAT'S ALL I NEED, A HIJACKER. 1458 01:25:24,000 --> 01:25:29,000 TAKE THIS BACK TO THE FARM. 1459 01:25:51,000 --> 01:25:54,000 GUESS WHO'S HERE EATING MY BREAKFAST 1460 01:25:54,000 --> 01:25:59,000 AND TELLING ME A CRAZY STORY ABOUT GRAVE ROBBERS? 1461 01:25:59,000 --> 01:26:02,000 YOUR IDIOT SON, LANE BIDDLECOFF, THAT'S WHO! 1462 01:26:02,000 --> 01:26:06,000 ANNA-MARIE? 1463 01:26:06,000 --> 01:26:08,000 I... 1464 01:26:08,000 --> 01:26:10,000 ANNA-MARIE! 1465 01:26:10,000 --> 01:26:14,000 I SAID KEEP HIM IN THE HOUSE! 1466 01:26:14,000 --> 01:26:16,000 YOU LET HIM OUT! 1467 01:26:16,000 --> 01:26:19,000 WHAT'S IT LIKE ON THE OTHER SIDE? 1468 01:26:19,000 --> 01:26:21,000 VIETNAM? 1469 01:26:21,000 --> 01:26:24,000 NO. AFTER DEATH. WHAT IS IT LIKE? 1470 01:26:24,000 --> 01:26:27,000 I'M NOT DEAD. 1471 01:26:27,000 --> 01:26:30,000 NOT NOW, BUT YOU WERE. 1472 01:26:30,000 --> 01:26:32,000 DID YOU MEET GOD? 1473 01:26:32,000 --> 01:26:36,000 HARRIET DOESN'T KNOW. SHE'S GOT A BIG MOUTH. 1474 01:26:36,000 --> 01:26:40,000 ALL IT TAKES IS ONE AMBITIOUS YOUNG COP 1475 01:26:40,000 --> 01:26:44,000 TO FIND OUT I'VE BEEN HARBORING A VIETNAM DESERTER, 1476 01:26:44,000 --> 01:26:47,000 AND THEY'LL COME HERE WITH HANDCUFFS! 1477 01:26:47,000 --> 01:26:49,000 PHONE DOWN, HANDS UP. 1478 01:26:49,000 --> 01:26:52,000 I'LL CALL YOU RIGHT BACK. 1479 01:26:52,000 --> 01:26:54,000 JEFF! LONG TIME, NO SEE. 1480 01:26:54,000 --> 01:26:57,000 HI, LANE. PUT YOUR HANDS UP. 1481 01:26:57,000 --> 01:26:59,000 PUT THAT THING AWAY. 1482 01:26:59,000 --> 01:27:02,000 YOU'RE MAKING A BIG MISTAKE. 1483 01:27:02,000 --> 01:27:04,000 I'M MAKING CAPTAIN. 1484 01:27:04,000 --> 01:27:08,000 THAT'S WHAT I'M MAKING. 1485 01:27:08,000 --> 01:27:10,000 IS THIS 65 1/2 LIGATION ROAD? 1486 01:27:10,000 --> 01:27:12,000 YES. 1487 01:27:12,000 --> 01:27:14,000 THIS IS 65 1/2 LIGATION ROAD? 1488 01:27:14,000 --> 01:27:15,000 YES. 1489 01:27:15,000 --> 01:27:17,000 WHERE'S THE HOUSE? 1490 01:27:17,000 --> 01:27:20,000 THEY MOVED IT DOWN THERE. 1491 01:27:20,000 --> 01:27:23,000 THEY TOOK THE HOUSE! IT'S GONE! 1492 01:27:23,000 --> 01:27:24,000 WHERE? 1493 01:27:24,000 --> 01:27:27,000 DOWN THE ROAD THAT WAY! 1494 01:27:27,000 --> 01:27:29,000 I DON'T BELIEVE IT! 1495 01:27:29,000 --> 01:27:31,000 YOU DON'T BELIEVE IT! 1496 01:27:31,000 --> 01:27:35,000 I FEEL LIKE DOROTHY IN THE WIZARD OF OZ. 1497 01:27:35,000 --> 01:27:40,000 LET'S GO DOWN THE ROAD. 1498 01:27:41,000 --> 01:27:44,000 THE PLACE HAS BEEN TURNED UPSIDE DOWN. 1499 01:27:44,000 --> 01:27:48,000 THE SARGE WAS LOOKING FOR THE WIDOW BIDDLECOFF. 1500 01:27:48,000 --> 01:27:50,000 I'LL CALL THE MAYOR. 1501 01:27:50,000 --> 01:27:55,000 HE SHOULD BE HERE BY NOW. 1502 01:27:58,000 --> 01:28:00,000 CAN YOU HELP ME? 1503 01:28:00,000 --> 01:28:02,000 IS SERGEANT RANGELOFF REGISTERED HERE? 1504 01:28:02,000 --> 01:28:05,000 YEAH, HE IS, BUT HE'S OUT. 1505 01:28:05,000 --> 01:28:08,000 I'M LOOKING FOR THE SERGEANT MYSELF. 1506 01:28:08,000 --> 01:28:10,000 HOLD IT RIGHT THERE. 1507 01:28:10,000 --> 01:28:12,000 WHO ARE YOU? 1508 01:28:12,000 --> 01:28:14,000 MRS. LANE BIDDLECOFF. 1509 01:28:14,000 --> 01:28:16,000 YOU'RE LATE FOR THE FUNERAL. 1510 01:28:16,000 --> 01:28:18,000 I MISSED MY CONNECTION. 1511 01:28:18,000 --> 01:28:21,000 TOO BAD YOU WASTED A TRIP. 1512 01:28:21,000 --> 01:28:23,000 WHAT I MEAN IS, 1513 01:28:23,000 --> 01:28:26,000 THE WIDOW BIDDLECOFF IS HERE ALREADY. 1514 01:28:26,000 --> 01:28:28,000 I'M HIS SECOND WIFE. 1515 01:28:28,000 --> 01:28:31,000 HOW DO YOU KNOW SERGEANT RANGELOFF? 1516 01:28:31,000 --> 01:28:34,000 HE'S GOT LANE'S PERSONAL EFFECTS. 1517 01:28:34,000 --> 01:28:37,000 THAT FIRST WIFE ISN'T GETTING EVERYTHING. 1518 01:28:37,000 --> 01:28:39,000 I'LL SEE YOU LATER. 1519 01:28:39,000 --> 01:28:41,000 NOT SO FAST, MISS LATIMER. 1520 01:28:41,000 --> 01:28:43,000 FBI, I'LL TAKE CHARGE. 1521 01:28:43,000 --> 01:28:45,000 OK, PUT THEM UP. 1522 01:28:45,000 --> 01:28:47,000 YOU, BACK! YEAH, YOU! 1523 01:28:47,000 --> 01:28:49,000 COME ON, YEAH. 1524 01:28:49,000 --> 01:28:50,000 YOU, COME ON! 1525 01:28:50,000 --> 01:28:53,000 AHHHH! 1526 01:28:53,000 --> 01:28:56,000 GET YOUR HANDS OFF, PIG! 1527 01:28:56,000 --> 01:28:58,000 ALL RIGHT! YOU'RE UNDER ARREST! 1528 01:28:58,000 --> 01:29:01,000 JUST WALK IN FRONT OF ME. 1529 01:29:01,000 --> 01:29:03,000 VERY SLOWLY. 1530 01:29:03,000 --> 01:29:04,000 THANKS A LOT. 1531 01:29:04,000 --> 01:29:06,000 I'LL READ YOUR RIGHTS. 1532 01:29:06,000 --> 01:29:10,000 YOU HAVE THE RIGHT TO REMAIN SILENT. 1533 01:29:10,000 --> 01:29:12,000 YOU HAVE THE RIGHT-- 1534 01:29:12,000 --> 01:29:13,000 SHUT UP! 1535 01:29:13,000 --> 01:29:17,000 WHERE THE HELL'S MY CAR? 1536 01:29:17,000 --> 01:29:19,000 OK, IT'S OVER THERE. 1537 01:29:19,000 --> 01:29:20,000 IT'S DOWN THERE! 1538 01:29:20,000 --> 01:29:22,000 MAKE THE TURN! 1539 01:29:22,000 --> 01:29:24,000 MAKE THE-- 1540 01:29:24,000 --> 01:29:29,000 WHOA! 1541 01:29:32,000 --> 01:29:36,000 FIND A PLACE AND TURN THIS THING AROUND. 1542 01:29:36,000 --> 01:29:41,000 ALL RIGHT! RELAX! 1543 01:29:43,000 --> 01:29:48,000 OH, CHRIST! 1544 01:29:56,000 --> 01:29:59,000 ♪ WELL, WHO DO YOU THINK YOU'RE FOOLIN'? ♪ 1545 01:29:59,000 --> 01:30:01,000 ♪ YOU SAY YOU'RE HAVIN' FUN... ♪ 1546 01:30:01,000 --> 01:30:04,000 YOU'RE NOT GIVING HIM THAT MONEY. 1547 01:30:04,000 --> 01:30:07,000 ♪ JUST LYIN' IN THE SUN ♪ 1548 01:30:07,000 --> 01:30:10,000 ♪ YOU TRIED TO BE A HERO ♪ 1549 01:30:10,000 --> 01:30:12,000 ♪ COMMIT THE PERFECT CRIME... ♪ 1550 01:30:12,000 --> 01:30:14,000 I'M GETTING OUT. 1551 01:30:14,000 --> 01:30:16,000 ♪ BUT THE DOLLAR GOT YOU DANCIN' ♪ 1552 01:30:16,000 --> 01:30:19,000 ♪ AND YOU'RE RUNNIN' OUT OF TIME ♪ 1553 01:30:19,000 --> 01:30:22,000 ♪ YOU'RE MESSIN' UP THE WATER... ♪ 1554 01:30:22,000 --> 01:30:24,000 STANDISH! 1555 01:30:24,000 --> 01:30:25,000 STANDISH! 1556 01:30:25,000 --> 01:30:27,000 STANDISH! STANDISH! 1557 01:30:27,000 --> 01:30:31,000 ♪ YOU'RE POISONIN' YOUR MIND... ♪ 1558 01:30:31,000 --> 01:30:33,000 STANDISH! 1559 01:30:33,000 --> 01:30:35,000 [MUFFLED VOICE] 1560 01:30:35,000 --> 01:30:36,000 STANDISH! 1561 01:30:36,000 --> 01:30:38,000 ♪ YOU WATCH THE TELEVISION... ♪ 1562 01:30:38,000 --> 01:30:39,000 STANDISH? 1563 01:30:39,000 --> 01:30:42,000 ♪ IT TELLS YOU THAT YOU SHOULD ♪ 1564 01:30:42,000 --> 01:30:44,000 ♪ HOW CAN YOU LIVE IN THIS WAY? ♪ 1565 01:30:44,000 --> 01:30:47,000 ♪ YOU MUST HAVE SOMETHING TO SAY... ♪ 1566 01:30:47,000 --> 01:30:51,000 THAT MAN STUCK THIS HAIR IN MY MOUTH 1567 01:30:51,000 --> 01:30:53,000 SO I WOULDN'T--AHHH! 1568 01:30:53,000 --> 01:30:57,000 ♪ CHILD OF VISION... ♪ 1569 01:30:57,000 --> 01:31:02,000 HOLD IT! 1570 01:31:03,000 --> 01:31:07,000 ♪ FIND YOURSELF ♪ 1571 01:31:07,000 --> 01:31:12,000 ♪ A NEW AMBITION ♪ 1572 01:31:13,000 --> 01:31:16,000 ♪ I'VE HEARD IT ALL BEFORE ♪ 1573 01:31:16,000 --> 01:31:18,000 ♪ YOU'RE SAYIN' NOTHIN' NEW ♪ 1574 01:31:18,000 --> 01:31:21,000 ♪ I THOUGHT I SAW A RAINBOW ♪ 1575 01:31:21,000 --> 01:31:25,000 ♪ BUT I GUESS IT WASN'T TRUE ♪ 1576 01:31:25,000 --> 01:31:27,000 ♪ YOU CANNOT MAKE ME LISTEN ♪ 1577 01:31:27,000 --> 01:31:29,000 ♪ I CANNOT MAKE YOU HEAR ♪ 1578 01:31:29,000 --> 01:31:32,000 ♪ S0 YOU FIND YOUR WAY TO HEAVEN ♪ 1579 01:31:32,000 --> 01:31:36,000 ♪ AND I'LL MEET YOU WHEN YOU'RE THERE ♪ 1580 01:31:36,000 --> 01:31:40,000 ♪ HOW CAN YOU LIVE IN THIS WAY? ♪ 1581 01:31:40,000 --> 01:31:42,000 ♪ YOU MUST HAVE SOMETHING TO SAY ♪ 1582 01:31:42,000 --> 01:31:44,000 ♪ WE HAVE NO REASON TO FIGHT ♪ 1583 01:31:44,000 --> 01:31:45,000 ♪ 'CAUSE WE BOTH KNOW THAT WE'RE RIGHT ♪ 1584 01:31:45,000 --> 01:31:50,000 ♪ CHILD OF VISION ♪ 1585 01:31:51,000 --> 01:31:56,000 ♪ WON'T YOU LISTEN? ♪ 1586 01:31:57,000 --> 01:32:01,000 ♪ FIND YOURSELF ♪ 1587 01:32:01,000 --> 01:32:06,000 ♪ A NEW AMBITION ♪♪ 1588 01:32:16,000 --> 01:32:21,000 STANDISH! 1589 01:32:31,000 --> 01:32:32,000 OH, NO! 1590 01:32:32,000 --> 01:32:37,000 AHHHH! 1591 01:32:39,000 --> 01:32:41,000 DID YOU SEE THAT? 1592 01:32:41,000 --> 01:32:42,000 THAT'S IT. 1593 01:32:42,000 --> 01:32:47,000 MICHAEL. 1594 01:32:50,000 --> 01:32:53,000 LOOK OUT! 1595 01:32:53,000 --> 01:32:55,000 THIS WON'T HURT A-- 1596 01:32:55,000 --> 01:32:57,000 AHHHHHHHH! 1597 01:32:57,000 --> 01:32:58,000 SORRY! 1598 01:32:58,000 --> 01:33:03,000 GIVE ME THE MONEY! 1599 01:33:11,000 --> 01:33:16,000 [WARNING BELLS CLANG] 1600 01:33:21,000 --> 01:33:23,000 GIVE ME THAT! 1601 01:33:23,000 --> 01:33:25,000 STANDISH! 1602 01:33:25,000 --> 01:33:30,000 [TRAIN WHISTLE] 1603 01:33:48,000 --> 01:33:49,000 I LOVE YOU. 1604 01:33:49,000 --> 01:33:51,000 I LOVE YOU. 1605 01:33:51,000 --> 01:33:52,000 [TRAIN WHISTLE] 1606 01:33:52,000 --> 01:33:57,000 OH, NO! 1607 01:34:21,000 --> 01:34:26,000 ORMOND, FBI. YOU'RE UNDER ARREST. 1608 01:34:26,000 --> 01:34:28,000 YOU BASTARD! 1609 01:34:28,000 --> 01:34:29,000 BYE! 1610 01:34:29,000 --> 01:34:31,000 I'LL GET YOU! 1611 01:34:31,000 --> 01:34:33,000 YOU BASTARD! 1612 01:34:33,000 --> 01:34:36,000 YOU WON'T GET AWAY WITH THIS! 1613 01:34:36,000 --> 01:34:41,000 LET'S WAVE THE MONEY AT HIM. 1614 01:34:41,000 --> 01:34:45,000 WHAT'S THIS? 1615 01:34:45,000 --> 01:34:47,000 THE YELLOW'S THE CLASSIFIED. 1616 01:34:47,000 --> 01:34:49,000 WHERE'S THE MONEY? 1617 01:34:49,000 --> 01:34:51,000 HE SWITCHED THE BAGS! 1618 01:34:51,000 --> 01:34:53,000 YOU SON OF A BITCH! 1619 01:34:53,000 --> 01:34:56,000 YOU'RE STARTING TO SOUND LIKE ME. 1620 01:34:56,000 --> 01:34:59,000 WHEN DID HE DO IT? 1621 01:34:59,000 --> 01:35:03,000 WHAT DOES IT MATTER? WE'VE GOT EACH OTHER. 1622 01:35:03,000 --> 01:35:06,000 COME ON, FORGET ABOUT THE MONEY. 1623 01:35:06,000 --> 01:35:09,000 I SUPPOSE YOU NEED A LITTLE. 1624 01:35:09,000 --> 01:35:11,000 YOU MADE THE SWITCH. 1625 01:35:11,000 --> 01:35:14,000 GOT TO HAVE A PLACE TO LIVE. 1626 01:35:14,000 --> 01:35:17,000 YOU HAD IT ALL THE TIME. 1627 01:35:17,000 --> 01:35:19,000 TWO CARS. 1628 01:35:19,000 --> 01:35:23,000 I WAS ALMOST KILLED FOR TWO PHONE BOOKS! 1629 01:35:23,000 --> 01:35:24,000 SHH! 1630 01:35:24,000 --> 01:35:26,000 MICHAEL, I'M COUNTING. 1631 01:35:26,000 --> 01:35:30,000 YOU KNOW SOMETHING? 1632 01:35:30,000 --> 01:35:32,000 SAVE SOME FOR YOURSELF. 1633 01:35:32,000 --> 01:35:34,000 NOT TO WORRY. 1634 01:35:34,000 --> 01:35:36,000 ♪ DID YOU WRITE THE BOOK OF LOVE?... ♪ 1635 01:35:36,000 --> 01:35:38,000 THIS SIDE IS MINE. 1636 01:35:38,000 --> 01:35:40,000 ♪ DO YOU HAVE FAITH IN GOD ABOVE? ♪ 1637 01:35:40,000 --> 01:35:44,000 ♪ IF THE BIBLE TELLS YOU SO ♪ 1638 01:35:44,000 --> 01:35:48,000 ♪ NOW, DO YOU BELIEVE IN ROCK 'N ROLL? ♪ 1639 01:35:48,000 --> 01:35:51,000 ♪ CAN MUSIC SAVE YOUR MORTAL SOUL? ♪♪ 1640 01:35:51,000 --> 01:35:55,000 ♪ AND CAN YOU TEACH ME HOW TO DANCE ♪ 1641 01:35:55,000 --> 01:35:58,000 ♪ REAL SLOW? ♪ 1642 01:35:58,000 --> 01:36:01,000 ♪ WELL, I KNOW THAT YOU'RE IN LOVE WITH HIM ♪ 1643 01:36:01,000 --> 01:36:05,000 ♪ 'CAUSE I SAW YOU DANCIN' IN THE GYM ♪ 1644 01:36:05,000 --> 01:36:08,000 ♪ YOU BOTH KICKED OFF YOUR SHOES ♪ 1645 01:36:08,000 --> 01:36:12,000 ♪ MAN, I DIG THOSE RHYTHM 'N BLUES ♪ 1646 01:36:12,000 --> 01:36:15,000 ♪ I WAS A LONELY TEENAGE BRONCIN' BUCK ♪ 1647 01:36:15,000 --> 01:36:19,000 ♪ WITH A PINK CARNATION AND A PICKUP TRUCK ♪ 1648 01:36:19,000 --> 01:36:22,000 ♪ BUT I KNEW I WAS OUT OF LUCK ♪ 1649 01:36:22,000 --> 01:36:24,000 ♪ THE DAY ♪ 1650 01:36:24,000 --> 01:36:28,000 ♪ THE MUSIC DIED ♪ 1651 01:36:28,000 --> 01:36:29,000 ♪ I STARTED SINGIN' ♪ 1652 01:36:29,000 --> 01:36:32,000 ♪ BYE-BYE, MISS AMERICAN PIE ♪ 1653 01:36:32,000 --> 01:36:34,000 ♪ DROVE MY CHEVY TO THE LEVEE ♪ 1654 01:36:34,000 --> 01:36:36,000 ♪ BUT THE LEVEE WAS DRY ♪ 1655 01:36:36,000 --> 01:36:38,000 ♪ THEM GOOD OL' BOYS ♪ 1656 01:36:38,000 --> 01:36:39,000 ♪ WERE DRINKIN' WHISKEY AND RYE ♪ 1657 01:36:39,000 --> 01:36:43,000 ♪ AND SINGIN' THIS'LL BE THE DAY THAT I DIE ♪ 1658 01:36:43,000 --> 01:36:46,000 ♪ DIE ♪ 1659 01:36:46,000 --> 01:36:50,000 ♪ NOW FOR 10 YEARS, WE'VE BEEN ON OUR OWN ♪ 1660 01:36:50,000 --> 01:36:54,000 ♪ AND MOSS GROWS FAT ON A ROLLIN' STONE ♪ 1661 01:36:54,000 --> 01:36:58,000 ♪ BUT THAT'S NOT HOW IT USED TO BE ♪ 1662 01:36:58,000 --> 01:37:02,000 ♪ WHEN THE JESTER SANG FOR THE KING AND QUEEN ♪ 1663 01:37:02,000 --> 01:37:06,000 ♪ IN A COAT HE BORROWED FROM JAMES DEAN ♪ 1664 01:37:06,000 --> 01:37:11,000 ♪ IN A VOICE THAT CAME FROM YOU AND ME ♪ 1665 01:37:12,000 --> 01:37:16,000 ♪ OH, AND WHILE THE KING WAS LOOKING DOWN ♪ 1666 01:37:16,000 --> 01:37:20,000 ♪ THE JESTER STOLE HIS THORNY CROWN ♪ 1667 01:37:20,000 --> 01:37:23,000 ♪ THE COURTROOM WAS ADJOURNED ♪ 1668 01:37:23,000 --> 01:37:26,000 ♪ NO VERDICT WAS RETURNED ♪ 1669 01:37:26,000 --> 01:37:30,000 ♪ AND WHILE LENNON READ A BOOK OF MARX ♪ 1670 01:37:30,000 --> 01:37:33,000 ♪ THE QUARTET PRACTICED IN THE PARK ♪♪ 1671 01:37:33,000 --> 01:37:35,000 CAPTIONING FUNDED BY CBS/FOX 1672 01:37:35,000 --> 01:37:37,000 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1673 01:37:37,000 --> 01:37:39,000 CAPTIONS COPYRIGHT 1984 CBS INC. 1674 01:37:39,000 --> 01:37:42,000 PUBLIC PERFORMCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE